Re-Design: Peggy Sundays

It's not often that I do an identity redesign before a new business even opens. However, that was the case with the retail operation originally named Peggy Sunday's. Peggy Seaman, owner of the store that Portland Picks has referred to as "an ultra-girly housewares haven filled to the brim with fabulous finds," found me just over a decade ago by way of an article about my business that appeared in The Oregonian.

For the purpose of getting the store together, dealing with possible vendors and coordinating work with contractors, a temporary business card had been created (below left). The name Peggy Sunday's had evolved from a childhood nickname of the owner.

A more sophisticated and customer-friendly identity was desired for business cards, stickers, hang-tags, rubber stamp imagery, signage, ads and more. When Seaman herself mentioned the rubber-stamp need, the concept that would become the final logo started percolating in my brain. I immediately thought of a hand-cut circle with a sun element.

During the design process it was decided to drop the apostrophe in the name - to eliminate any confusion about the proprietor's last name possibly being "Sunday." I chose the font Caslon Antique for the name to tie-in with the rough-hewn appearance of the other design elements. The sun element was adapted from an old dingbat I had come across - with a bit of a facelift suggested by the store owner's sister.

With the simplicity and strength of the final logo design (above right) it was determined that the logo would remain in one color. In most applications it is black on sage paper stock. In some cases it has been produced in metallic gold. A decade after being created the identity still represents the store very well.

The logo for the high-end gift and home furnishings store is featured in the books The Big Book of Logos 3, New Logo & Trademark Design 2 (Japan), Letterhead and Logo Design 7 and The Big Book of Design for Letterheads and Websites.

(Note: My book, Identity Crisis!: 50 Redesigns That Transformed Stale Identities Into Successful Brands, contains case studies from 35 designers and firms located around the world. Learn more about the book on the Identity Crisis! blog.)

© 2008 Jeff Fisher LogoMotives.

Re-Design: Cooke Stationery Company

As an artistic kid growing up in Salem, Oregon I would often buy art and design supplies at the local retail institution Cooke Stationery Company. I also went to high school with the children of the family who owned the business. Many years after moving from Salem I was contacted by the third generation of owners to redesign the company's identity.

Over the years, since opening in the 1930’s, the Cooke Stationery Company had used a variety of identifying elements, but did not have one consistent logo for use in its marketing and promotion. The primary graphics used by the office supply and stationery store were a type treatment from the 30’s and a character illustration made up of an old-fashioned typewriter eraser, pencil, rubber bands, paper clips and a sheet of paper. These two graphics were seldom used together, giving the business a split personality.

When the owners began a process of restoring the historic façade of their Salem building, it was also time to give the company image a make-over – while maintaining a connection to its history and celebrating survival as a small business in a world of “big box” stores. One directive for the new logo was that it not look like a new logo. An updated, yet not too sophisticated, character illustration was created and framed in an oval with banners noting the date the company was founded. The result was strong solid, single image projected by a logo that seems as if it may have appeared when the store opened in 1935.

The Cooke Stationery Company identity has appeared in the Japanese book Logo World (from PIE Books) and Logos: From North to South America from Spanish publisher Index Book.

© 2007 Jeff Fisher LogoMotives