Showing posts with label clown school. Show all posts
Showing posts with label clown school. Show all posts

Clowning Around: Toots Caboose at Train Day

"Toots Caboose" and the Amtrak Cascades Character Clown Corps made their first public appearance May 9th, at Portland's National Train Day festivities. The new clowns - led by Boss Clown Angel Ocasio - entertained children (and adults), handed out Train Day memorabilia, directed attendee traffic and more at the Union Station event. The spotlight at the event was shared with the "World's Most Famous Steam Locomotive" SP 4449 - the only surviving example of Southern Pacific Railroad's (SP) GS-4 class of steam locomotives. Thousands of people came out to enjoy the beautiful day and railroad-related activities. Check out the "Toots" Flickr gallery of photos

Having recently completed clown school, in preparation for upcoming Portland Rose Festival events, the character of "Toots Caboose" continues to evolve. Unable to find an over-sized bandana, I found a fabric with similar print and Ed made a giant one for me. Toots also needed a bit of a "caboose" so he now has a stuffed rear-end.

With Amtrak Cascades as the sponsor for the Character Clown Corps, the National Train Day event was a very appropriate debut for the troupe. Future public appearances include:

• Friday, May 22, 2009 • Portland Rose Festival • Opening of Waterfront Village & Busker's Parade • Waterfront Park • Portland • TBA: Late afternoon/early evening

• Wednesday, June 3, 2009 • Portland Rose FestivalFred Meyer Junior Rose Festival Parade • Hollywood District • Portland

• Saturday, June 6, 2009 • Portland Rose FestivalKey Bank Grand Floral Parade • Memorial Coliseum • Downtown Portland

• Sunday, June 7, 2009 Portland Rose FestivalWaterfront Village closing festivities

My first name is "Toots" and my last name is "Caboose."

© 2009 Jeff Fisher LogoMotives

Clowning Around: My clown school experience

In a recent bLog-oMotives post I wrote about my acceptance to clown school to become a member of the Amtrak Cascades Character Clown Corps, the official clowns representing the annual Portland Rose Festival. The course was being taught by Ringling Bros. and Barnum & Bailey Circus "Clown College" graduate Angel Ocasio - a professional clown for the past 28 years.

Prior to clown school I began considering my clown persona. As mentioned to Angel in my audition, I wanted to create a character somehow connected to my business name Jeff Fisher LogoMotives and my personal life long-interest in trains. The suggestion of the name "Caboose" by a Twitter pal evolved into "Toots Caboose."

With a clown name selected, I started collecting elements of a possible costume. I already had a traditional red "Union suit." I searched all over town for striped overalls, but had to settle for solid blue ones found at Sears. A Google search for "engineer hat, Portland" resulted in finding one available at the local menswear institution John Helmer Haberdasher. (Who knew?) I finally found red Converse® high tops after visiting numerous retailers. I was unable to find the over-sized red bandana I wanted and settled for two blue ones I already owned. Along the way I was collecting the make-up and supplies suggested in a list emailed earlier by Angel.

Arriving at Portland's World Trade Center, I had a bit of apprehension about the three-day course. This whole adventure was so far out of my personal comfort zone. Angel was the only familiar face when I entered the classroom and his welcome immediately put me at ease. The 20+ future clowns in the room in the room were not mingling much as I took my seat next to a woman who introduced herself as Debra. I found myself flipping through the packet of information, which included a couple face templates for possible make-up designs (below left), and silently wondering what the hell I'd gotten myself into.

Angel brought the class to order, made a comment about it being the last time we would all be so uncomfortable with each other and asked us to introduce ourselves. What a diverse group. My classmates, from a teenager to individuals in their mid-60's included students, a life coach, teachers, a nanny, a massage therapist, a retired lawyer/judge, a peripatologist, an investment counselor, a restaurant cook, moms with grown kids, an electron microscope technician, an architect and others.

In beginning the class, Angel explained that we would not just be creating a visual clown, but rather meaningful character clown, or "buffoons with a purpose." It was very interesting to learn the differences in the White Face, Auguste, Tramp, Hobo, European and New Circus/New Vaudeville clowns. With the descriptions fresh in my mind I realized that "Toots Caboose" might be a combination of a European and Tramp character. I found myself mindlessly doodling my thoughts on one of the face templates (above center). Following some reflections on famous clowns, Angel moved the class into some of the more physical aspects of clowning.

OK, I could feel my discomfort meter maxing out. I am not a performer and, for someone with years of public speaking experience, I am not comfortable putting myself in awkward situations in front of strangers. My last actual stage appearance had been in a nonspeaking munchkin role in a second grade production of The Wizard of Oz. After several improvisational exercises I was totally exhausted - and very pleased with myself.

Day two of clown school began with Angel going through the process of applying his make-up. It was fascinating to watch him become a new character as the make-up was applied. His facial features changed, as did his mannerisms, and his voice altered. As he explained, and demonstrated, different styles of make-up on two class "volunteers," I continued to fine-tune my concept of what the "Toots" make-up might be. Professional clown Trudi Sang and her daughter also presented a great demonstration of their make-up application.

Then it was time for all of the future clowns to begin their own make-up treatments. With my basic design in place, I was surprised how easy it was to do my own makeup. With my mustache painted in place, I prepared to add the "stubble" I had included in my original design - and I stopped. I found Angel and asked if I should add the beard element. He agreed with my hesitation and said "stop now." The primary visual element of "Toots Caboose" was complete.

With make-up in place, we all started donning our costumes. It was incredible to see so much interaction among the group of people who did not know each other the day before. Everyone was evolving into a clown - and having a lot of fun doing so.

Selecting a nose was not a easy as I thought. Initially, I felt that "Toots" would have a big, round red nose. It was very disappointing to see that the round ones simply did not look good. My frustration must have been evident for Angel to say, "You need something that points up a bit; something with more attitude." Then I saw it - being tried on by one of my classmates - and yelled across the room "There's my nose!" I tried it on and my character's "look" was complete. I was already looking forward to receiving my own professional clown nose the following week. With the nose balanced on my face, my makeup photograph was taken (above right).

The rest of day two was spent learning to be comfortable within our character. We participated in working with props, connecting with an audience, improvising and interacting with other clowns. All hesitations and apprehension were gone. It was as if I was in a room of two dozen friends, who just happened to be clowns.

It was immediately into make-up as our final day began. It was incredible to see everyone become their clown alter-ego with make-up, clothing, hats, wigs and accessories. My classmate Doug (clown name "The Maestro') brought me striped overalls, like I had been trying to find earlier, as a contribution to my costume. All the clowns in the room were helping each other finalize make-up and attire details. It was amazing to realize that we were all actually becoming clowns.

Much of the day's class was spent on each character clown making entrances, introductions and exits - learning the names and persona each individual was adopting for their clown experience. All of my self-consciousness had disappeared as I interacted with other members of the clown troupe. I was actually kind of proud of myself.

Our day ended with each class member making their clown introduction to officials of the Portland Rose Festival Foundation. We received certificates making us official members of the Amtrak Cascades Character Clown Corps, as well as train whistles from Amtrak Cascades, and other Rose Festival trinkets. All 24 of us were now official Portland Rose Festival clowns as the second Character Clown Corps graduating class. The experience was educational, emotional, exhausting, exhilarating and so much more. Clown school was one of the most incredible and rewarding experiences of my life.

I left the building without taking off my costume, or removing my make-up, and drove home. Think about it - me, Mr. Self-conscious, wandering and driving around Portland without a care - as a clown. In fact, someone saw me. A grade-school friend, Joani, saw this update posted on Facebook: "Driving to church. Just saw a clown driving a Volvo wagon, full clown gear...odd." When I got home, Ed said photos were a must. (above) He also made me go next door to introduce "Toots" to our neighbor. Let the clowning around begin.

My first name is "Toots" and my last name is "Caboose."

Here is the schedule of public appearances for the Amtrak Cascades Character Clown Corps:

• Saturday, May 9, 2009 • National Train Day • Union Station • Portland • 11:00 AM to 4:00 PM

• Friday, May 22, 2009 • Portland Rose Festival • Opening of Waterfront Village & Busker's Parade • Waterfront Park • Portland • TBA: Late afternoon/early evening

• Wednesday, June 3, 2009 • Portland Rose FestivalFred Meyer Junior Rose Festival Parade • Hollywood District • Portland

• Saturday, June 6, 2009 • Portland Rose FestivalKey Bank Grand Floral Parade • Memorial Coliseum • Downtown Portland

• Sunday, June 7, 2009 Portland Rose FestivalWaterfront Village closing festivities

© 2009 Jeff Fisher LogoMotives

Clowning Around: I'm going to clown school!

In late 2007, thanks to the efforts of Dr. John Epley, I recovered from years of dealing with a debilitating chronic vertigo battle. I went from having difficulties working, driving and leaving my house, to wanting to get out in the world to experience new things. I read, in early 2008, about the Portland Rose Festival initiating a Character Clown Corps, with people from the local community participating in a "clown school" and then going on to perform as clowns at various events during the historic annual festival. Applying to be a participant in such a program would certainly be a "new thing."

Throughout my career I've often been called a "clown" - I was excited about the possibility of actually being one. Unfortunately, several of the required activity dates conflicted with events already on my schedule, including speaking at the 2008 HOW Design Conference in Boston.

Boss clown Angel Ocasio on the high wire

I've always liked clowns. I can remember going to the Shrine Circus as a child, with my grandfather, and being fascinated by the clowns. In addition, the Portland Rose Festival had been a part of my life since I was just a kid. I have great memories of attending the evening Merrykana Parade (the Mardi Gras-like predecessor to the Starlight parade), numerous in-person Grand Floral Parade viewings over the years, and once even cheering on my sister as she rode on a float as a Junior Miss.

Multiple visits to the Portland Rose Festival website finally resulted in learning that the Character Clown Corps would be recreated for the 2009 festival. Without telling anyone, I began to make plans to submit my application for consideration. When I finally told my spouse, Ed, he simply smiled, shook his head and walked away.

My greatest fear about the whole process was having no talent. As a potential clown, if my application was accepted, the audition process required the exhibition of some form of talent. I have not performed on stage since I has a non-speaking munchkin role in a second grade production of The Wizard of Oz. A one-night guest "walk on," 13 years ago, during my direction a Portland production of the play Party! just didn't seem to count as "talent." In elementary school, I did play the trombone - miserably - for part of one year, but music is just not my thing. I decided, if I even got an audition, that I would tell jokes - jokes from kids I knew.

A couple weeks ago the call came from Angel Ocasio, special projects manager for the Portland Rose Festival Foundation and a professional clown. Ocasio (photo above), a graduate of the now-defunct Ringling Brothers and Barnum & Bailey Clown College and professional clown for nearly 30 years, called to inform me that I had an audition for the Character Clown Corps. He will teach the three-day "clown school" for the Portland Rose Festival in preparation for a number of public appearances.

Panic immediately set in. I called my "advisory committee" of seven to eleven year-olds for joke input. My initial call to my young friend Harrison resulted in no help at all. His response to my request was "Why would anyone want to be a clown?"

I told him I felt being a clown would be "an interesting life experience."

"No, not that interesting," was his reply. He also told me that his older sister was too busy to be bothered with my problem.

Contacting my young friend Tate was much more fruitful. He actually thought the idea of being a clown was "cool." Still, he felt he and his sister Tess needed to have a meeting with their dad to determine what jokes would be best for my purposes.

Later that night, via email, I received jokes for my consideration. The message included some funny typical kid riddles and one joke about Jesus playing golf with Moses and God.

As I sat in the lobby of the Portland Rose Festival the next day, watching a very animated guy juggle through his audition, thoughts of "oh my, what have I gotten myself into" went through my mind. Just by auditioning I was putting myself way outside my comfort zone.

Angel Ocasio immediately put my at ease as he backed me up against the wall for a digital photo. I sat down and we talked about life, Jeff Fisher LogoMotives, how he became a clown, our common interest in writing and much more. I joked about having no talent and then told the jokes provided by my young friends. Ocasio asked if he could tell the one about Jesus golfing at his church the following Sunday. I realized that I really wanted to learn about being a clown from this guy.

In discussing my business, Ocasio mentioned that he really liked the cleverness of my LogoMotives identity. I explained that I had always liked trains and thought I might enjoy developing a railroad-related clown persona. He then excitedly told me that the Character Clown Corps had just learned it was to be sponsored by Amtrak Cascades and the first public appearance would be at Portland's Union Station on National Train Day.

I was somewhat stunned.

It was then that he looked at the clock and realized that my 15-minute scheduled audition had expanded to over an hour and 15 minutes - and another person was to audition in a few minutes. I left feeling really good about the whole experience.

A few days later, Ocasio called to let me know that I would be a member of the Amtrak Cascades Character Clown Corps for the 2009 Portland Rose Festival. To say I was excited is an understatement. I hung up the phone, ran into the living room and exclaimed to Ed, "I'm going to be a clown!"

He looked up from his reading, smiled and quickly went back to his magazine.

Watch for more "Clowning Around" as I blog about going to "clown school" in late April, share a schedule of events at which the Character Clown Corps will appear, and reflect on my public appearances as a genuine clown.

Photo: Courtesy of Angel Ocasio's Comedy

© 2009 Jeff Fisher LogoMotives