Toot! Toot!*: Jeff Fisher offers advice in newly released "2011 Artist's & Graphic Designer's Market"

Jeff Fisher, the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives, shares career advice for industry professionals in an article published in the recently released book 2011 Artist's & Graphic Designer's Market. In his piece, "Getting the Gig: Find Work and Develop Business Relationships Through Planning, Perseverance and Patience," the former art director and creative director offers numerous suggestions of how designers, illustrators, artists and others can best market and promote their efforts.

The new volume, published by North Light Books and edited by Mary Burzlaff Bostic, is the 36th annual edition of the Artist's & Graphic Designer's Market. A resource for artists, illustrators, designers and cartoonists who want to establish careers, and make more money, the book provides readers with contact and submission information for 1000+ markets, publishers, galleries, art fairs, ad agencies and more. In addition, purchase of the current edition includes a free annual subscription to the companion site Artist's Market Online.

The featured article by Jeff Fisher is illustrated with examples of his internationally recognized identity design work. Logos displayed include images for Jeff Fisher LogoMotives, Chameleon, Cat Adoption Team, the Holocaust Remembrance Project and DataDork (shown above).

Fisher, a 30+ year design industry veteran, is the author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands and The Savvy Designer's Guide to Success: Ideas and tactics for a killer career. Other book projects are currently in the works.

The designer has received over 600 design awards and his work has been published in more than 140 books on identity design, self-promotion and the marketing of small businesses. He often travels – nationally and internationally – to present courses, seminars and workshops on design, branding, marketing and social networking. In addition, Fisher is a nationally-recognized speaker, making numerous presentations each year to design organizations, design schools, universities and business groups.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2010 Jeff Fisher LogoMotives

Logodotes: Cat Adoption Team concept

[Over the 30+ years I've worked professionally as a designer, interesting side stories have come up about my identity designs. This is one of an ongoing series of "Logodotes" - anecdotes about my logo designs.]

It's always interesting to be contacted by a nonprofit organization with a request to design a logo pro bono. I get numerous such requests each month. These days, to give myself permission to politely decline some inquiries, I only consider donating my services if the project is related to education, nonprofit performing arts groups, children's causes, HIV/AIDS or issues in which I have a strong personal interest.

I had certainly heard of the Cat Adoption Team (C.A.T.), the Pacific Northwest’s largest nonprofit, limited admission cat shelter with its own on-site full-service veterinary hospital. My initial contact with the organization came via an email from a graphic designer doing volunteer work for C.A.T. She explained that she was a fan of my own identity design work and asked if I would possibly consider designing a new logo for C.A.T. as it approached its tenth anniversary celebration.

After expressing my interest in taking on the project, an appointment was made with the woman who was the group's Executive Director at the time. I appreciated the advertising and marketing background of this individual. She had a great understanding of branding - and the fact that the logo in use at the time (above left) may have served the agency well in its first decade, but it was time to convey a stronger, more professional and memorable public persona. With the emotional and historical investment in the existing logo, the was certainly a "never tell a potential client their logo sucks" situation. Personally, I felt the hand-drawn logo, with one black cat looking outside a window while another looked in, projected a melancholy and somewhat sinister image.

My hope was to create a simple, memorable logo, that would be appeal to both adults and children, as an identifier for the group. With the gift of an organization name acronym creating the primary word associated with the cause, I set about the design a logo turning C.A.T. into the graphic image of the animal. I got increasingly excited as I doodled (above right) and saw a recognizable cat form taking shape within the name.

My excitement was shared by the Executive Director when I explained the direction in which I was taking the project. As I fine-tuned the concept, I opted to make use of letterforms from the font Frankfurter to form the cat and then be used to spell out the organization name. The roundness of the letters created a soft, friendly, inviting design (above) for review by the client Board of Directors. The Executive Director seemed very pleased by my effort and felt it could successfully take C.A.T. into its second decade with a clever and professional graphic identity.

The Board of Directors did not agree. The Executive Director shared that the board members did not feel the design was "warm and fuzzy enough" to successfully represent the cause. She then graciously offered me an opportunity that no previous client had suggested. Given the fact I had donated my time and invested so much energy, into a design that I was convinced would best serve C.A.T and the Board of Directors disagreed; she was allowing me to remove myself from the situation if I chose to do so.

I accepted her offer to separate myself from the project. Afterwards I learned that other designers had less than successful past business relationships with the agency, too. The combination of a mostly volunteer organization, the historical and emotional attachments to the group's past designs, a voting Board of Directors sometimes becoming a "design by committee' presence, and other elements can make such projects challenging - for the designer and the client.

Soon after ending my participation in the C.A.T. project, I received a call-for-entries for a book to display 50 of the best international rejected, or "killed," design concepts. The C.A.T. logo concept design got a second life when it was accepted for publication in the book Killed Ideas: Vol 1.

The C.A.T. design went on to have more than nine lives beginning with winning a Silver Award in the Summit Creative Awards. It is also featured in the books Letterhead & Logo Design 11, American Graphic Design & Advertising 25, Designing for the Greater Good, LogoLounge Master Library Vol. 2, Logolicious, For a Good Cause (Spain), iheartlogos season one and Logo Nest 01 (Australia). The logo also appears in the textbook Perfect Match Art Primary 5, by Prisca Ko Hak Moi - a collaborative project of publisher Pearson Education South Asia and Ministry of Education Singapore. Most recently it is an illustrative element in an article I wrote for the 2011 Artist's and Graphic Designer's Market.

© Cat Adoption Team

What became of the need for a Cat Adoption Team logo design? Well, another designer (if I knew the name I would post it here) did take on the project and successfully created an identity for C.A.T. (above). It seems that the organization got their more literal and "warm and fuzzy" feline representation within the logo design. It has been used as the agency's identity for some time now.

I had an immediate critical, rather than personal or bitchy, reaction to the new logo when first seeing it - and other logo designers have emailed me with similar thoughts. With the illustrative cat's head resting on the "C" letterform, that letter seems to visually close creating a noose-like appearance - or the cat's head seems to resting in wait for the falling of a guillotine blade or the ax of a a public executioner. Perhaps not the best graphic message for a "no-kill" cat shelter.

© 2010 Jeff Fisher LogoMotives

Design studio housecleaning - excavated artifact #23

I've worked as a professional graphic designer for just over 32 years. In that period of time, I have collected a great many project concepts, doodles and roughs. As I continue to go through three decades of design files, these excavated artifacts are coming to the surface.

In the mid-to-late 1980s, while living in Seattle, I did quite a bit of design work for gay and lesbian businesses, organizations and events. One such group was the Washington Privacy Lobby, founded out of concerns related to personal medical records privacy during the AIDS crisis.

My original doodle for the organization identity was executed in dark blue felt-tipped pen, on the back of a sheet from a pink "While You Were Out" message pad. With a certain alignment the "O" letterform in "WASHINGTON" and the "A" in "PRIVACY" formed a graphic keyhole, symbolizing the keeping of medical information under lock and key (above left). To add what I thought would be strength the logo, a key element would fill the open space created by the placement of the words.

As I began to fine-tune the design, I made use of Letraset pressure-sensitive type (remember, this is pre-personal computer) to produce the primary text in Italia Bold (above right). An outline of the State of Washington became part of the key. The remaining available space in the design allowed for the placement of an address for envelopes, letterhead, business cards, labels and other printed material.

With the Italia type treatment seeming visually too heavy, I opted to change to the oh-so-1980s type of Serif Gothic Outline (above). Again, at the time, this was a Letraset or Chartpak pressure sensitive typeface. The graphic element of the key was eliminated to reinforce the issue of "privacy" within the design. If you want something to remain private you would not provide anyone with the key. The center of the keyhole image was darkened to symbolize blocking someone from peeking at what may be inside - in this case, medical records needing to remain confidential.

Take a look at the complete Jeff Fisher LogoMotives excavated artifacts collection.

© 2010 Jeff Fisher LogoMotives

Cowboy Jeffie's Confetti Chicken Chili

The season of rain, cold and fog has arrived. It's time to take my annual designerly turn in the kitchen and make a big pot of my colorful confetti chicken chili.

Cowboy Jeffie's Confetti Chicken Chili
(Yep, that's me - Cowboy Jeffie - in the photo)

This is a recipe I adapted (and re-adapted) from one published in Parade Magazine many years ago. It was kind of boring and colorless. The graphic designer in me changed many of the ingredients to make it a colorful and interesting dish. A few years ago I originally posted a version of this recipe on bLog-oMotives. This is my latest incarnation of Cowboy Jeffie's Confetti Chicken Chili. It can be served as a meal, with fresh bread or corn muffins, heated in the winter or cold in the summer. It is somewhat time consuming to prepare, but the results are more than worth the effort. Guests who have been served this dish at our home are always requesting a repeat performance when dining with us again.

The "confetti" of my chili: Diced red peppers, orange peppers, yellow peppers, green zucchini and yellow squash.

3 - 4 tablespoons olive oil
2 medium yellow onions - chopped
2 tablespoons garlic - coarsely chopped
3 - 4 skinless, boneless chicken breasts - cubed
2 tablespoons chili powder
2 teaspoons cumin
2 teaspoons curry powder
1 teaspoon dried oregano
2 teaspoons cocoa powder
1/8 teaspoon cayenne pepper
1 teaspoon Tabasco sauce
Pinch of crushed red pepper flakes
Freshly ground black pepper - to taste
1 cup chicken stock or chicken bouillon
1 can (28 oz.) stewed tomatoes (whole or chopped) - drained
(save liquid)
1 can (15 oz.) tomato sauce
1 can (5 3/4 oz.) black olives - sliced
1 medium-sized green zucchini - thinly sliced and quartered
1 medium-sized yellow zucchini - thinly sliced and quartered
3 bell peppers (select three different colors - I have found green, white,
red, yellow, orange and purple), cored, seeded and cut into 1/2-inch squares
1 can (27 oz.) red kidney beans - drained
1 can (15 oz.) black beans - drained
Fresh lemon or lime juice (from one lemon of lime)
Nonfat yogurt or sour cream (optional garnish)
Grated cheddar cheese (optional garnish)
Fresh cilantro (optional garnish)

Chili nearing completion on the stove.

1. Heat olive oil in a large saucepan over low heat. Saute onion and garlic in hot oil for about 5 minutes.

2. Add cubed chicken breasts and cook for 5 - 7 minutes, stirring occasionally. Add broth or bouillon and continue cooking.

3. Add all your spices - chili powder, cumin, curry powder, oregano, cocoa powder, cayenne pepper, Tabasco red pepper flakes and black pepper - and stir well into the chicken/onion mixture. Allow to simmer for 10 - 15 minutes - stirring occasionally. This makes for fairly hot chili. For a milder chili cut back on the curry powder, cayenne, red pepper flakes or Tabasco sauce to your own taste. Don’t cut back on the chili powder - it adds flavor, not hotness.

4. Add stewed tomatoes to the mixture, allowing tomatoes to cook down for about 10 minutes (this is a good time to get all the peppers and zucchini prepared). Use the reserve liquid later to thin down the chili before serving if necessary.

5. Add the olives, zucchini, peppers and tomato sauce to the pan and simmer for 20 - 30 minutes.

6. 15 - 20 minutes prior to serving add the kidney beans and allow to heat thoroughly.

7. Just prior to serving add the fresh lemon/lime juice and stir through the sauce. This adds a freshness to the chili and takes the “edge” off the hotness. Add the reserve tomato liquid to thin down the chili if necessary.

8. Garnish with a dollop of yogurt or sour cream, fresh cilantro and/or grated cheddar cheese prior to serving.

The chili is even better reheated the next day - or served cold on a hot summer day.

Enjoy!

Check out other Cowboy Jeffie recipes.

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Hiiiband International Logo Award 2010
(New Graphic - China)
Deadline: 31 October 2010
No entry fees charged

HOW Poster Design Awards
(HOW Magazine - USA)
Late Deadline: 1 November 2010 (with late fees)
Entry fees charged

HOW Logo Design Awards
(HOW Magazine - USA)
Late Deadline: 1 November 2010 (with late fees)
Entry fees charged

Print Creativity + Commerce Competition
(Print Magazine - USA)
Extended Deadline: 1 November 2010
Entry fees charged

Web Font Awards
(Web Font Awards - USA)
Deadline: 7 November 2010
No entry fees charged

Inside the World of Board Graphics: Skate, Surf, Snow
(Rockport Publishers - USA)
Deadline Extended: 15 November 2010
No entry fees charged

One Show Interactive Awards
(The One Club - USA)
Third Quarter Deadline: 30 November 2010
Entry fees charged

D&AD Awards 2011
(D&AD - UK)
Early Deadline: 29 November 2010 (10% discount on fees)
Deadline: 31 January 2011
Entry fees charged

Color in Design Competition
(Print Magazine and HOW Print - USA)
Deadline Extended: 1 December 2010
Entry fees charged

One Show Entertainment Awards
(The One Club - USA)
Deadline Extended: 3 December 2010
Entry fees charged

Look What Good Design Can Do: The Best Before-and-After Redesigns From Around the World
(Crescent Hill Books - USA)
Deadline: 6 December 2010
No entry fees charged

American Package Design Awards
(Graphic Design USA - USA)
Deadline: 10 December 2010
Entry fees charged

Selected B: Graphic Design From Europe
(Index Book - Spain)
Deadline: 10 December 2010
Entry fees charged

Great Logo Designs
(Ampixx Books - USA)
Deadline Extended: 15 December 2010
Entry fees charged

TDC57
(Type Directors Club - USA)
Deadline: 17 December 2010
Entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

Advertising Journal Americas 001
(Graphis - USA)
Deadline: 6 January 2011
Entry fees charged

Photography Journal Americas 001
(Graphis - USA)
Deadline: 6 January 2011
Entry fees charged

Graphis Logo Design 8
(Graphis - USA)
Deadline: 13 January 2011
Entry fees charged

ADC Design Awards
(ADC - USA)
Deadline: 21 January 2011
Entry fees charged

ADC Photography Awards
(ADC - USA)
Deadline: 21 January 2011
Entry fees charged

ADC Illustration Awards
(ADC - USA)
Deadline: 21 January 2011
Entry fees charged

ADC Design Sphere Awards
(ADC - USA)
Deadline: 21 January 2011
Entry fees charged

Summit Creative Awards
(Summit International Awards - USA)
Deadline: 24 January 2011
Entry fees charged

Creative Quarterly 23
(Creative Quarterly - USA)
Deadline: 28 January 2011
Entry fees charged

ADC Interactive Awards
(ADC - USA)
Deadline: 28 January 2011
Entry fees charged

ADC Student Awards
(ADC - USA)
Deadline: 21 January 2011
Entry fees charged

Wolda Logo Annual
(Eulda Books - Italy)
Deadline: 31 January 2011
Entry fees charged

Great Graphic Design Ideas
(Ampixx Books - USA)
Deadline: 31 January 2011
Entry fees charged

Graphis Poster Design 2012
(Graphis - USA)
Deadline: 3 February 2011
Entry fees charged

Design Journal Europe & Africa 002
(Graphis - USA)
Deadline: 3 February 2011
Entry fees charged

ADC Advertising Awards
(ADC - USA)
Deadline: 6 February 2011
Entry fees charged

ADC Hybrid Awards
(ADC - USA)
Deadline: 21 January 2011
Entry fees charged

Basic Sign
(Index Book - Spain)
Deadline: 15 February 2011
No entry fees charged

One Show Interactive Awards
(The One Club - USA)
Deadline: 28 February 2011
Entry fees charged

Great Healthcare Advertising
(Ampixx Books - USA)
Deadline: 28 February 2011
Entry fees charged

HOW Promotion Design Awards
(HOW Magazine - USA)
Deadline: 1 March 2011
Entry fees charged

Great Layout Ideas
(Ampixx Books - USA)
Deadline: 31 March 2011
Entry fees charged

HOW In-HOWse Design Awards
(HOW Magazine - USA)
Deadline: 1 April 2011
Entry fees charged

Great Brochure Ideas
(Ampixx Books - USA)
Deadline: 29 April 2011
Entry fees charged

American Web Design Awards
(Graphic Design USA - USA)
Deadline: 30 April 2011
Entry fees charged

Great Use of Color in Graphic Design
(Ampixx Books - USA)
Deadline: 31 May 2011
Entry fees charged

HOW Interactive Design Awards
(HOW Magazine - USA)
Deadline: 1 July 2011
Entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season Two Deadline: 11 August 2011
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline: 15 August 2011
Entry fees charged

Book of the Year, Volume 4
(Design & Design - France)
Deadline: 30 September 2011
No entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives

It gets better: A personal perspective

It has been extremely upsetting to learn of the many teen suicides across the country in recent months - especially those driven to taking their own lives by bullies taunting the young people for being gay, or just presuming them to be gay. The words or actions of bullies can be extremely nasty weapons.

Photo by Daniel Macías, Lanterna Photography © 2010

In recent weeks many men and women have joined in the YouTube It Gets Better Project campaign initiated by writer and activist Dan Savage - someone I met when I lived in Seattle years ago. I initially considered making my own video. However, surprised by the emotions brought up by memories of childhood bullying, I've opted to make my feelings known in writing.

I was bullied a great deal as a kid in grade school. A skinny, gangly, bookish, uncoordinated and sensitive boy, I was about as non-athletic as anyone could be. I was that kid always picked last to be on any team. It seemed to be even worse that I was artistic. The combination of traits led to me often being called a sissy, fag, queer, homo and other demeaning or derogatory terms. Initially, I didn't even know what most of the words meant, but the manner in which they were delivered made the names incredibly hurtful. Occasionally the actions of bullies turned physical in the form of playground fights and once in a while I'd even get in a good return punch or two. Most often I just walked, or ran, away from the confrontation, feeling kind of worthless.

My parents knew little of what was going on in school. I never told them. I had great allies in a few good friends and my sister, who is one year younger. Some amazing teachers either knew or sensed what I was going through and offered valuable support throughout my school years. I found solace and personal pride in writing and artwork. I even won my first art award for a grade school painting.

It gets better.

In junior high school, instead of focusing on the ongoing actions of bullies, I directed my energies to the things I did best: art, writing, biking and even running. I was good at running - away from bullies and perhaps issues in my own life. When I went running or biking I had no cares in the world. No one could hurt me. No one could get to me. I detested P.E. in school, but my track running times caught the attention of the high school cross-county coach. He asked me to tryout for the high school team, but my heart just wasn't in it. Besides, some of my potential teammates were the same guys who continued to refer to me as a sissy, fag, queer and homo.

I was very good when it came to art. People began to take notice of my abilities. My art was shown in exhibitions, won awards and I had the first one-man shows of my work while I was in junior high. I was able to sell my drawings in galleries and at art fairs. My writing skills led to the enjoyable task of writing for the junior high newspaper. Putting my energy into personal passions boosted my confidence and resulted in some degree of respect from a few previous tormentors.

There were still a few bullies making aspects of my life a bit of a hell. I could never understand why these guys found it necessary to go out of their way to be so mean to me, when I had little or no interest in their lives. The continued teasing and taunting had an incredibly negative impact. As a teen I was already going through so much and didn't know how to deal with the name-calling, especially the gay slurs. I wasn't really sure what being gay was, but I knew I didn't want to be whatever it was. In the darkness of night, I would cry myself to sleep and pray that I wasn't gay. I was probably 13 or 14, and beaten up emotionally, when I first contemplated taking my own life; trying to figure out a way that would not leave a mess for someone to clean up after - still trying to be the perfect, tidy, best little boy in the world. Luckily, I never figured out such a method. I also never told anyone of the thoughts I was having.

It gets better.

The transition to a large high school was not easy. There were new bullies to be battled. However, the opportunities to thrive increased as well. I was never going to be a high school athletic star, so I again focused on my strengths and personal interests. There were also attentive friends, teachers and counselors with whom I could confide when problems, or particularly nasty situations, arose.

I became one of the "go to" students whenever art was needed for a school project. My writing again resulted in working on the school newspaper. Activities such as student government provided additional confidence building. In fact, my confidence had increased so much that I was able to personally take on a bully of a different type - a teacher.

An instructor in the art department had created an unpleasant situation. It seemed like a constant battle in attempting to please this individual. When she told me I "wasn't doing my painting right," I decided to stand up for myself. I explained to school administrators that there could not be a "right" and "wrong" in art - and they agreed. I became the first student put on independent study in art; allowing me to explore many art disciplines and begin my path to a life-long career.

The newfound confidence led to many other accomplishments. There were additional art shows and honors. I was named one of two editors of the nationally recognized school paper. At the end of my senior year I was selected "Boy of the Year" and received several college scholarships. Although I was battling some personal inner demons, I was no longer dealing with bullies. In fact, I surprisingly found myself calling some bullies on their shit when they choose to pick on younger students.

It gets better.

College offered incredible opportunities for personal growth and expanding my horizons. Every young adult should have the chance to experience such freedom. The negative aspects of grade school, junior high and parts of high school seemed to have taken place in a previous lifetime. Had I carried out any earlier thoughts of ending my life, I would have never been able to experience the joy I found in studying art, design and journalism in college.

However, I did occasionally struggle with the personal issue of my sexuality - and the taunts of past bullies would resurface. A favorite uncle being banished from the family, for surprisingly asking to bring his same-sex partner to a holiday event, made me realize that I could never travel down the path I seemed to question. Family was much too important to me to risk being an outcast myself.

For many years I lived the life I felt I was expected to live. I would be 29 years old before I could acknowledge, to myself and others, that I was a gay man.

It gets better.

There will always be bullies in life. However, as I learned late in high school, with confidence in yourself and your abilities, you don't have to put up with their crap. You do have the ability to stand up to such individuals, express faith in yourself, make the most of allies, and move your life in the best direction for you as an individual. For me, being different is a positive attribute - not a negative.

My first real job after college was as the art director for a group of medical publications. After an incredible bossed moved on to a better job, a woman was hired to oversee my department. I suspect her own insecurities about her abilities in the position led to her being a bully in dealing with staff. I was having none of it. One day I overheard her yelling at my assistant and actually calling him a "liar." I'd had enough. I walked into her office, literally stuck my finger in her face and said, "We don't talk to people like that around here." I was as stunned as she, but no one should have to put up with what she had been doing for weeks. I then went to my office and wrote my letter of resignation. The company administrators couldn't understand that I had not been offered another job - I simply was not going to work in a situation with such a bully. As I was walking out the door the receptionist said there was a call for me. It was a former client asking if I had time to take on a contract design job for several months.

In 1985, I finally acknowledged I was gay and came out to family, friends and co-workers at the ad agency where I was an art director. For the most part all were very supportive. In my time at the agency I'd heard the owner make a few homophobic remarks to others - bringing back memories of the bullies of my youth. Although not surprised by his personal attitude, I was not prepared for him to call me into his office to tell me my services were no longer needed, as he was "taking his business in a different direction." At my farewell party, co-workers told me the agency principal was taking his company in a "straighter direction" and was "uncomfortable having a gay man in the office." I'd lost my job because I was gay. I was stunned, but vowed to never again allow myself to be put in such a situation.

A Flickr gallery of images from the 20 year relationship of Jeff and Ed

I opted to simply be honest and open about the fact I was gay. Never again would I allow someone else, especially bullies, to use my sexuality or their hateful homophobic words against me. Pro bono work for AIDS organizations, and causes supportive of gays and lesbians, lead to a great deal of design work for businesses and groups in the LGBT community.

My gay-themed work was displayed proudly in my portfolio of work. If someone choose to not work with me because I was gay, that was just fine with me. I most likely would not want to work with them either. The positive impact of my personal stand was amazing. Potential clients often contacted me specifically because I was gay, or had done work for gay organizations. Often those contacting me would mention that they had a gay son, daughter, sibling, grandchild or friend. Over the years, I received many emails from gay teens around the country; pleased to learn they were not alone in their hopes for a successful business life while being openly gay.

Such design efforts lead to being asked to serve on the founding board of a local organization for businesses owned by gays, lesbians and supportive individuals. With the anti-gay Oregon Ballot Measure 9 campaign in full swing, I agreed to be the public face for gay and lesbian business owners in a Portland television station interview. And then came the death threat voice mails on my answering machine. Bullies again.

These bullies were taken a bit more seriously than those of the past. Pleased that I already lived in a security loft building, police officers suggested that I not walk anywhere by myself. Friends, neighbors and clients expressed their concern and support. Luckily, in the volatile political climate of the time, I was not the victim of greater anger, hatred and violence as experienced by some others in the state. Still, I did not live my life in a fear defined by bullies. The bullies did not win.

It DOES get better.

Today, I have an incredible life. After 32 years, my design career continues to be a successful and wonderful ride. I've received a ridiculous number of awards - many for gay-themed work - and my designs appear in over 140 books. I've written many articles for design publications. In the last six years a book I wrote about having a career in graphic design and another about identity and branding have been published. A third is in progress, with more in the planning stages. Each year I speak about design, marketing and social networking to design school, high school, university and business organization audiences around the country. I even taught a week-long class at a design and innovation college in Mexico this past summer.

Most importantly, I have an incredible personal life. My partner, Ed Cunningham, and I have been together for 20 years. In 2004 we were married during a time when it was possible to do so in Portland. After the marriage was annulled by the courts, we pressed forward and became official domestic partners. We are whole-heartedly supported by a number of family members, amazing friends, co-workers, my clients and industry peers, and a great "family of choice." Being gay is not our entire life; but rather one aspect of well-rounded lives.

Make it better.

Do not let bullies define or control your life. If you are being bullied, find the courage to inform a trusted parent, classmate, family friend, school counselor or teacher - especially if you are having thoughts of harming yourself in any manner. Bullying cannot be tolerated. The problem is the bully - not you.

Be proud of your talents, skills and passions. Focus your energies on the things you do the best and enjoy the most. By doing so you will surround yourself with similar, and supportive, individuals.

Make use of the limitless resources available. Participate in the gay/straight alliance at your school - or start your own organization. Get involved in the community center in your own town, such as Portland's Q Center. Many LGBT newspapers, like Just Out in Oregon, have great directories of local resources and events. Valuable resources on a national level include The Trevor Project and GLAAD, and many others.

Create your own support system. If you are turned away by friends or families, form your own "family of choice" made up of friends, co-workers, neighbors, and family who do offer love and support with no conditions.

You are not alone. Help is available at every turn - just for the asking. Be proud of yourself and all that is combined to make you a unique individual. You do deserve to have a wonderful life.

By taking control of your life and destiny, you are making sure that those who bully do not win.

I've rambled enough...all I really wanted to say was: It gets MUCH better.

© 2010 Jeff Fisher LogoMotives

Designer/author Jeff Fisher takes readers of

The Squall Line for a ride on the 'Paper Train'

In his 'Paper Cuts' article series, designer Tad Dobbs - of the Texas design firm Creative Squall - interviews printers, paper reps, and designers for their insights into how paper can strengthen the brand of a business or organization. The third piece in the series, 'All Aboard the Paper Train', features the experiences and thoughts of 32-year print design veteran Jeff Fisher, of the Portland-based firm Jeff Fisher LogoMotives.

Check out other interviews with Jeff Fisher.

© 2010 Jeff Fisher LogoMotives.

A resource list from Jeff Fisher's lecture at the Rocky Mountain College of Art + Design

Recently AIGA Colorado invited me to Denver for a few days. When traveling to speak at any conference, business event, AIGA gathering or ad federation activity, I always try to include a presentation to students of at least one university or design school in the area. While in Colorado I spoke to a gathering of design students at the Rocky Mountain College of Art + Design (RMCAD).

The following is a list of resources mentioned in that lecture:

• Book: Savvy Designer's Guide to Success: Ideas and tactics for a killer career, by Jeff Fisher (HOW Books, 2004)

• Book: Identity Crisis!: 50 Redesigns That Transformed Stale Identities into Successful Brands, by Jeff Fisher (HOW Books, 2007)

• Online Portfolios: Designer ID

• Online Portfolios: Jeff Fisher LogoMotives Designer ID profile

• Interview: Designer ID interview with Jeff Fisher, Engineer of Creative Identity

• Online Resource: Veer

• Online Portfolios: Jeff Fisher LogoMotives Veer profile

• Online Portfolios: Coroflot

• Online Portfolios: Jeff Fisher LogoMotives Coroflot profile

• Online Resource: design:related

• Online Portfolios: Jeff Fisher LogoMotives design:related profile

• Online Portfolios: Jeff Fisher LogoMotives Facebook gallery

• Online Portfolios: Jeff Fisher LogoMotives Flickr gallery

• Online Portfolios: Behance Network

• Online Portfolios: LogoPond

• Online Portfolios: Jeff Fisher LogoMotives LogoPond profile

• Online Portfolios: The I Spot

• Article: Using Press releases as a marketing tool

• Article: Pro bono design efforts to promote one's work

• Article: Presenting yourself as the public speaking expert

• Article: A collection of design competition - and book submission request - tips, tricks and observations

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Print Hand Drawn Competition
(Print Magazine - USA)
Deadline Extended: 15 October 2010
Entry fees charged

Summit Emerging Media Awards
(Summit International Awards - USA)
Deadline Extended: 15 October 2010
Entry fees charged

TDC Annual Awards 2011
(Tokyo Type Directors Club - Japan)
Deadline: 16 October 2010
No entry fees charged for overseas submittors

Communication Arts Interactive Competition
(Communication Arts - USA)
Late Deadline: 22 October 2010 (with late fees)
Entry fees charged

Creative Quarterly 22
(Creative Quarterly - USA)
Deadline: 29 October 2010
Entry fees charged

Basic Promo
(Index Book - Spain)
Deadline: 30 October 2010
No entry fees charged

Hiiiband International Logo Award 2010
(New Graphic - China)
Deadline: 31 October 2010
No entry fees charged

HOW Poster Design Awards
(HOW Magazine - USA)
Late Deadline: 1 November 2010 (with late fees)
Entry fees charged

HOW Logo Design Awards
(HOW Magazine - USA)
Late Deadline: 1 November 2010 (with late fees)
Entry fees charged

Print Creativity + Commerce Competition
(Print Magazine - USA)
Extended Deadline: 1 November 2010
Entry fees charged

Web Font Awards
(Web Font Awards - USA)
Deadline: 7 November 2010
No entry fees charged

Great Logo Designs
(Ampixx Books - USA)
Deadline: 15 November 2010
Entry fees charged

Great Healthcare Advertising
(Ampixx Books - USA)
Deadline: 15 November 2010
Entry fees charged

Great Graphic Design Ideas
(Ampixx Books - USA)
Deadline: 15 November 2010
Entry fees charged

Inside the World of Board Graphics: Skate, Surf, Snow
(Rockport Publishers - USA)
Deadline Extended: 15 November 2010
No entry fees charged

Color in Design Competition
(Print Magazine and HOW Print - USA)
Deadline: 16 November 2010
Entry fees charged

Look What Good Design Can Do: The Best Before-and-After Redesigns From Around the World
(Crescent Hill Books - USA)
Deadline: 6 December 2010
No entry fees charged

American Package Design Awards
(Graphic Design USA - USA)
Deadline: 10 December 2010
Entry fees charged

Selected B: Graphic Design From Europe
(Index Book - Spain)
Deadline: 10 December 2010
Entry fees charged

TDC57
(Type Directors Club - USA)
Deadline: 17 December 2010
Entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

Advertising Journal Americas 001
(Graphis - USA)
Deadline: 6 January 2011
Entry fees charged

Photography Journal Americas 001
(Graphis - USA)
Deadline: 6 January 2011
Entry fees charged

Summit Creative Awards
(Summit International Awards - USA)
Deadline: 24 January 2011
Entry fees charged

Great Layout Ideas
(Ampixx Books - USA)
Deadline: 15 February 2011
Entry fees charged

Great Brochure Ideas
(Ampixx Books - USA)
Deadline: 15 February 2011
Entry fees charged

Great Use of Color in Graphic Design
(Ampixx Books - USA)
Deadline: 15 February 2011
Entry fees charged

HOW Promotion Design Awards
(HOW Magazine - USA)
Deadline: 1 March 2011
Entry fees charged

HOW In-HOWse Design Awards
(HOW Magazine - USA)
Deadline: 1 April 2011
Entry fees charged

HOW Interactive Design Awards
(HOW Magazine - USA)
Deadline: 1 July 2011
Entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season Two Deadline: 11 August 2011
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline: 15 August 2011
Entry fees charged

Book of the Year, Volume 4
(Design & Design - France)
Deadline: 30 September 2011
No entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives

Toot! Toot!*: Identity design efforts of 'Logolicious' judge Jeff Fisher featured in newly released volume

Logo designs by Jeff Fisher, the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives, are featured in the newly released book LogoLicious. The volume, compiled by designer/author Peleg Top, features over 1,000 logos from identity designers around the world. Fisher's work is highlighted in the book as the result of being a judge in the Logolicious selection process.

Author Peleg Top asked 13 identity design industry experts to assist in judging the more than 3,000 logos submitted through the Crescent Hill Books website.

In addition to Fisher, Jeff Barlow (Jelvetica), Darin Beaman (OIC), Joshua Chen (Chen Design Associates), Jonathan Cleveland (Cleveland Design) and Jean-Marc Durviaux (DISTINC) selected published logos. Kit Hinrichs (Studio Hinrichs), Debbie Millman (Sterling Brands), Steve Morris (MORRIS), Robynne Raye (Modern Dog Design Co.), Cheryl Savala (Menagerie Creative), Rochelle Seltzer (Seltzer) and Petrula Vrontikis (Vrontikis Design Office) were also judges of submissions.

Judges each reviewed hundreds of logos. Top also requested that each industry professional provide their definition of a "good logo" and representative examples of logos they, or their firm, had produced.

Jeff Fisher LogoMotives designs featured in the book include images for the triangle productions! theatrical production "2 Boys in a Bed on a Cold Winter's Night," hair salon Chameleon and Holocaust Remembrance Project - a nation-wide high school essay competition sponsored by the Holland and Knight Charitable Foundation, Inc. The logo for computer consultation firm DataDork and the Cat Adoption Team logo concept are also presented in the designer's two-page spread.

Fisher, a 30+ year design industry veteran, is the author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands and The Savvy Designer's Guide to Success: Ideas and tactics for a killer career. He is currently writing the book Logo Type: 200 Best Typographic Logos from Around the World Explained, about typography in identity design, with a scheduled 2011 release.

The designer has received over 600 design awards and his work has been published in more than 140 books on identity design, self-promotion and the marketing of small businesses.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2010 Jeff Fisher LogoMotives

St. Johns banners finally see the light of day

I've always enjoyed creating designs for businesses, nonprofit organizations and events in my own North Portland neighborhood. Back in early 2002 I designed a series of banners for the volunteer organization Destination St. Johns. The banners were to be displayed on utility poles in the business district of St. Johns, less than a five minute drive from my home studio.

And then nothing happened with the designs and the banners never appeared in public.

In an October 2009 article in the late, great neighborhood newspaper The Sentinel (a past identity design client of mine), Meg Farra, one of the founders of Destination St. Johns, explained, “It was a group we put together to do some projects within St. Johns. For example, we planted native plants in the tree wells through downtown and organized some cleanups before the parade for a few years."

As reported in The Sentinel, "The group decided to create banners for downtown and applied for a grant from the North Portland Trust Fund [the Portland International Raceway noise mitigation funded.] They received $4000 along with support and in-kind donations from many businesses and other groups in St. Johns and North Portland."

I didn't realize that the banners had ever been produced - but instead of adding high-flying color over downtown St. Johns, the banners and all hardware were stored in the basement of the historic Kenton Firehouse.

According to The Sentinel: "...the set of 20 or so vinyl banners were never hung due to political squabbling and the high cost of insurance."

"When the banners were ready to hang, bureaucratic difficulties and a policy change at Portland General Electric entered the game. Partway through negotiations about the banners, PGE changed its insurance requirements. Instead of $1 million, groups now had to carry $2 million in insurance before PGE would allow them to use its poles. PGE also asked Destination St. Johns to coordinate with the St. Johns Boosters, who had a long-standing arrangement with PGE to use certain light poles at Christmastime. A rift developed between some of the leaders involved and for over a year the groups were unable to negotiate a compromise.

"At that point, according to Tom Griffin-Valade of the Office of Neighborhood Involvement, the banners were rolled up and stored in the basement of the Office of Neighborhood Involvement at the Kenton Firehouse. Seven years passed."

The mystery of the missing banners had always intrigued Sentinel publisher Cornelius Swart. With a little detective work, he learned that the banners were in the Kenton Firehouse all along. Swart presented the banners to members of the St. Johns Neighborhood Association in May 2009. At the time of the October 2009 Sentinel article, efforts to hang the banners were being driven by members of the St. Johns Boosters and the St Johns Main Street Coalition, which have representatives from both neighborhood associations, businesses, and individual residents.

I'm not sure what transpired over the past year in regards to insurance issues and neighborhood politics. However, My partner Ed and I recently decided to make a Saturday morning visit to the St. Johns Farmer's Market - and were very surprised to see the banners lining the streets and the farmer's market venue, St. Johns Plaza.

On a recent sunny afternoon, I went to St. Johns to photograph the banners in place (above). I popped into St. Johns Booksellers, the location of my 2007 book signing for Identity Crisis!, to say "hi" to co-owner Nena Rawdah and explain why I was wandering the business district with my camera. She told me that upon learning that the banners were actually going to be installed, she requested a red and yellow one for installation in front of her store (above center).

"I didn't know who was responsible for the design of the banners," added Nena, "but, I'm certainly not surprised."

© 2010 Jeff Fisher LogoMotives.

Logodotes: North Bank Cafe

[Over the 30+ years I've worked professionally as a designer, interesting side stories have come up about my identity designs. This is one of an ongoing series of "Logodotes" - anecdotes about my logo designs.]

In the summer of 2009, I was very sad to learn of the passing of one of my favorite, and most fun, clients. Cecilia Murphy was one-of-a-kind and a Portland institution. It made me smile when, in doing one of the newspaper's "Life Story" features, The Oregonian began the article with "Cecilia Murphy lived by the unofficial motto "'more is more.' Less was not for her."

In that same newspaper article was the minor mention "She had a short-lived coffee shop." That's how I met the vibrant force known as Cecilia Murphy.

In late 2003, Murphy contacted me to assist in helping brand her latest venture - a coffee house and cafe in the St. Johns neighborhood of North Portland. She conveyed a desire to have the business project an image of the television show Northern Exposure meeting North Portland. Some Victorian elements were to be mixed with comfortable over-stuffed furniture and a few rustic Northwest touches - including vintage mounted heads of hunted wildlife.

Her eyes twinkled as she suggested that the cafe identity might included the image of a winking moose, with long eye-lashes and a "big rack." I knew that Murphy meant antlers in this case, but her smile told me she knew exactly what she had said. Throughout our conversation the moose was referred to as "she."

After thinking about the input for a moment, I told my client that I didn't think a female moose would have antlers. Murphy quickly replied, "Well, I guess we'll have a cross-dressing moose."

I appreciated the opportunity to be totally playful with the North Bank Cafe logo project. The moose image quickly developed as a fairly cartoon-ish creature. I researched moose hoof prints, to be used as bullets in the design, and had fun playing with type possibilities, prior to settling on Horndon as my favorite primary font for my initial design concept. Still, second-guessing myself, I was a bit unsure about having possibly taken the beast too far. I included one more conservative concept in the rough designs I presented (above left).

As is the case in 85-90% of my identity design projects, the client was immediately drawn to my very first concept. With a little fine-tuning it became the final logo for the North Bank Cafe (above right).

The North Bank Cafe was short-lived. Unfortunately, Cecilia Murphy is also no longer with us. I am happy that the cross-dressing moose of the logo does live on. It appears in the books Logo Design for Small Business 2, 1000 Restaurant Bar & Cafe Graphics (and its recently-released paperback mini edition) and 100's Visual Logos and Letterheads.

© 2010 Jeff Fisher LogoMotives

DesignCasts and podcasts featuring Jeff Fisher

Designer Jeff Fisher, the Engineer of Creative Identity for Jeff Fisher LogoMotives, is often called upon to share his career experiences - and what others think he knows - through designcasts, webinars, podcasts, teleseminars and other online presentations:

Using Social Media to Boost Your Career - The Dos and The Don'ts, Jeff Fisher and Jean Branan of The Art Institute of California-San Diego's Career Services department, The Career Blueprint Podcast Series, a joint production of The Creative Group and The Art Institutes. (August 2010)

Talk Story Special Edition graphics by RDQLUS Creative

Talk Story with Jeni - HOW Design Conference Special Edition with Steve Gordon Jr., Jeff Fisher and Bryn Mooth, with Jeni Herberger - JeniHerberger.com Sponsored by Neenah Paper. (June 2010)

Using Social Media as a (Free!) Marketing Tool, HOW Magazine; HOW DesignCast (February 2010)

Talk Story with Jeni - and Jeff Fisher, with Jeni Herberger - JeniHerberger.com (February 2010)

How to Survive as a Freelance Designer, HOW Magazine; HOW DesignCast (November 2009) • Survival Resource List from DesignCast

Social Networking with Jeff Fisher, with Thomas James; Escape from Illustration Island (September 2009)

Social Networking with Jeff Fisher, with Thomas James; Illustration Mundo (September 2009)

Planning, Packaging & Promoting Yourself, HOW Magazine; HOW DesignCasts (August 2009)

Tooting Your Own Horn!, RGD Ontario; Design Business Teleseminar (July 2009)

Jeff Fisher Does the LOGO-MOTION, with Donovan Beery and Nate Voss; The Reflex Blue Show (May 2009)

Packaging Yourself, RGD Ontario; Design Business Teleseminar (March 2009)

Brands, Logos & Identity Crisis, with Scott Sheppard and Gene Gable; Inside Digital Design Radio (September 2008)

Creative Experts Audio Interviews: Jeff Fisher, with Doug Farrick; originally for The Designer's Inner Circle - now posted on creativepublic.com (December 2007)

Marketing Through Blogs and Forums, with Joel Welsh; StartupNation (November 2006)

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Letterpool - London
(Letterpool - UK)
Deadline: 20 August 2010
No entry fees charged

Creativity Print Awards
(Creativity Awards - USA)
Deadline Extended: 27 August 2010
Entry fees charged

Letterhead & Logo Design 12
(Rockport Publishers - USA)
Deadline Extended: 31 August 2010
No entry fees charged

HOW Interactive Awards
(HOW Magazine - USA)
Deadline Extended: 31 August 2010 (late fees waived)
Entry fees charged

1000: A Steampunk Collection
(Rockport Publishers - USA)
Deadline: 1 September 2010
No entry fees charged

Top 100 New Creatives 49
(CMYK - USA)
Deadline Extended: 6 September 2010
Entry fees charged

Website Design 3
(zeixs - Germany)
Deadline Extended: 10 September 2010
No entry fees charged

Graphic Design 3
(zeixs - Germany)
Deadline Extended: 10 September 2010
No entry fees charged

Letterhead and Business Card 2
(zeixs - Germany)
Deadline Extended: 10 September 2010
No entry fees charged

Sound and Design
(zeixs - Germany)
Deadline Extended: 10 September 2010
No entry fees charged

Tattoo Design
(zeixs - Germany)
Deadline Extended: 10 September 2010
No entry fees charged

Communication Arts Typography Competition
(Communication Arts - USA)
Deadline: 10 September 2010
Late Deadline: 24 September 2010 (with late fees)
Entry fees charged

Inside the World of Board Graphics: Skate, Surf, Snow
(Rockport Publishers - USA)
Deadline Extended: 15 September 2010
No entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season One Deadline Extended: 15 September 2010
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline Extended: 15 September 2010
Entry fees charged

Summit Emerging Media Awards
(Summit International Awards - USA)
Deadline: 22 September 2010
Entry fees charged

Book of the Year, Volume 3
(Design & Design - France)
Deadline: 30 September 2010
No entry fees charged

Print Hand Drawn Competition
(Print Magazine - USA)
Deadline: 1 October 2010
Entry fees charged

Communication Arts Interactive Competition
(Communication Arts - USA)
Deadline: 8 October 2010
Late Deadline: 22 October 2010 (with late fees)
Entry fees charged

Print Creativity + Commerce Competition
(Print Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

HOW Poster Design Awards
(HOW Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

HOW Logo Design Awards
(HOW Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

TDC Annual Awards 2011
(Tokyo Type Directors Club - Japan)
Deadline: 16 October 2010
No entry fees charged for overseas submittors

Basic Promo
(Index Book - Spain)
Deadline: 30 October 2010
No entry fees charged

Hiiiband International Logo Award 2010
(New Graphic - China)
Deadline: 31 October 2010
No entry fees charged

Great Logo Designs
(Ampixx Books - USA)
Deadline: 15 November 2010
Entry fees charged

Great Healthcare Advertising
(Ampixx Books - USA)
Deadline: 15 November 2010
Entry fees charged

Great Graphic Design Ideas
(Ampixx Books - USA)
Deadline: 15 November 2010
Entry fees charged

Graphis Poster Annual 2012
(Graphis - USA)
Deadline: 29 November 2010
Entry fees charged

Look What Good Design Can Do: The Best Before-and-After Redesigns From Around the World
(Crescent Hill Books - USA)
Deadline: 6 December 2010
No entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

Graphis Design Annual 2012
(Graphis - USA)
Deadline: 10 January 2011
Entry fees charged

Summit Creative Awards
(Summit International Awards - USA)
Deadline: 24 January 2011
Entry fees charged

100 Best in Advertising 2012
(Graphis - USA)
Deadline: 14 February 2011
Entry fees charged

Great Layout Ideas
(Ampixx Books - USA)
Deadline: 15 February 2011
Entry fees charged

Great Brochure Ideas
(Ampixx Books - USA)
Deadline: 15 February 2011
Entry fees charged

Great Use of Color in Graphic Design
(Ampixx Books - USA)
Deadline: 15 February 2011
Entry fees charged

100 Best in Photography 2012
(Graphis - USA)
Deadline: 9 May 2011
Entry fees charged

100 Best in Annual Reports
(Graphis - USA)
Deadline: 13 June 2011
Entry fees charged

Graphis New Talent Annual 2012
(Graphis - USA)
Deadline: 13 June 2011
Entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives