Logodotes: Al Bauer Advertising

[Over the 30+ years I've worked professionally as a designer, interesting side stories have come up about my identity designs. This is one of an ongoing series of "Logodotes" - anecdotes about my logo designs.]

In 1980, my first year out of college, ad agency owner Al Bauer asked me to design a logo to identify his firm. Bauer had been toying with the idea of using an abstract image to represent the company. In fact, he'd even considered making use of an abstract painting created by his daughter, artist Marlene Bauer. The pre-digital printing expense of reproducing a four-color image led to the client quickly changing his mind about the possibility.

The initial concept (above left) evolved out of my interest in the minimalist logo imagery I studied in school during the 1970's. Many logos of the time were simple, somewhat heavy, and involved geometric forms. The client almost immediately selected this particular design. I was told that he appreciated its abstract representation of how advertising was often a very orderly discipline - until something went completely out of whack.

A couple of weeks later an excited Bauer called me, having just realized the design was in actuality very abstract lower-case a and b letterforms (visually defined above right).

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

International Wine Label Design Competition
(IWLDC - USA)
Deadline Extended: 2 August 2010
Entry fees charged

TypeCon: TypeGallery2010
(Society of Typographic Aficionados - USA)
Deadline: 5 August 2010
Entry fees charged

TypeCon: 2010 Poster Show
(Society of Typographic Aficionados - USA)
Deadline: 5 August 2010
No entry fees charged

London International Awards
(London International Awards - UK)
Deadline Extended: 6 August 2010
Entry fees charged

W3 Awards
(IAVA - USA)
Deadline Extended: 13 August 2010
Entry fees charged

Letterpool - London
(Letterpool - UK)
Deadline: 20 August 2010
No entry fees charged

Top 100 New Creatives 49
(CMYK - USA)
Deadline Extended: 24 August 2010
Entry fees charged

Creativity Print Awards
(Creativity Awards - USA)
Deadline Extended: 27 August 2010
Entry fees charged

Website Design 3
(zeixs - Germany)
Deadline: 30 August 2010
No entry fees charged

Graphic Design 3
(zeixs - Germany)
Deadline: 30 August 2010
No entry fees charged

Letterhead and Business Card 2
(zeixs - Germany)
Deadline: 30 August 2010
No entry fees charged

Sound and Design
(zeixs - Germany)
Deadline: 30 August 2010
No entry fees charged

Tattoo Design
(zeixs - Germany)
Deadline: 30 August 2010
No entry fees charged

Letterhead & Logo Design 12
(Rockport Publishers - USA)
Deadline Extended: 31 August 2010
No entry fees charged

HOW Interactive Awards
(HOW Magazine - USA)
Deadline Extended: 31 August 2010 (late fees waived)
Entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season One Deadline: 31 August 2010
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline: 1 September 2010
Late Deadline: 15 September 2010 (with late fees)
Entry fees charged

1000: A Steampunk Collection
(Rockport Publishers - USA)
Deadline: 1 September 2010
No entry fees charged

Communication Arts Typography Competition
(Communication Arts - USA)
Deadline: 10 September 2010
Late Deadline: 24 September 2010 (with late fees)
Entry fees charged

Inside the World of Board Graphics: Skate, Surf, Snow
(Rockport Publishers - USA)
Deadline Extended: 15 September 2010
No entry fees charged

Summit Emerging Media Awards
(Summit International Awards - USA)
Deadline: 22 September 2010
Entry fees charged

Book of the Year, Volume 3
(Design & Design - France)
Deadline: 30 September 2010
No entry fees charged

Communication Arts Interactive Competition
(Communication Arts - USA)
Deadline: 8 October 2010
Late Deadline: 22 October 2010 (with late fees)
Entry fees charged

Print Creativity + Commerce Competition
(Print Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

HOW Poster Design Awards
(HOW Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

HOW Logo Design Awards
(HOW Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

Hiiiband International Logo Award 2010
(New Graphic - China)
Deadline: 31 October 2010
No entry fees charged

Graphis Poster Annual 2012
(Graphis - USA)
Deadline: 29 November 2010
Entry fees charged

Look What Good Design Can Do: The Best Before-and-After Redesigns From Around the World
(Crescent Hill Books - USA)
Deadline: 6 December 2010
No entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

Graphis Design Annual 2012
(Graphis - USA)
Deadline: 10 January 2011
Entry fees charged

Summit Creative Awards
(Summit International Awards - USA)
Deadline: 24 January 2011
Entry fees charged

100 Best in Advertising 2012
(Graphis - USA)
Deadline: 14 February 2011
Entry fees charged

100 Best in Photography 2012
(Graphis - USA)
Deadline: 9 May 2011
Entry fees charged

100 Best in Annual Reports
(Graphis - USA)
Deadline: 13 June 2012
Entry fees charged

Graphis New Talent Annual 2012
(Graphis - USA)
Deadline: 13 June 2012
Entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives

'The Art of Self Promotion' book - a valuable marketing tool for any creative professional

Over the past 15 years, my work, writings and comments have appeared in nearly 140 books. I try to keep track of such things; making others aware of great design and business resources in the process. However, once in while I will come across published surprises in bookstores, online or even through the use of the Google book search tool.

It was through a Google book search, a couple of months ago, that I first became aware of my inclusion in the book The Art of Self Promotion, written by marketing expert Ilise Benun. I had not previously seen or heard about the book at all.

Benun and I do have a history of using each other as a source in books and articles, and speaking at the same conferences. She used me as a resource in her books Self Promotion Online and The Designer's Guide To Marketing And Pricing (written with mutual friend Peleg Top), in the HOW Magazine article eSelf Promotion, and in her Art of Self Promotion newsletter. Benun provided valuable information for my first book, The Savvy Designer's Guide to Success (now available as a PDF on CD).

The two of us have been able to keep in touch over the years through multiple invitations to speak at the annual HOW Design Conference. I was also honored to make a presentation at the first Creative Freelancer Conference, an event coordinated by HOW Magazine and Benun's own firm, Marketing Mentor.

It was a real pleasure to see Benun at the recent How Design Conference in Denver. Seeing each other also gave me an opportunity to ask about the book The Art of Self Promotion.

It turns out that the book is a compilation of past articles from The Art of Self Promotion newsletter, published by Benun's own Marketing Mentor Press. The Art of Self Promotion is packed with valuable self promotion suggestions and examples. My own inclusion is in regards to the use of my "Toot! Toot!" press releases in marketing my design and writing efforts.

Benun was kind enough to give me a copy of the book when we last met. I would strongly recommend that all creative professionals get themselves a copy of The Art of Self Promotion - a great tutorial in marketing and promotion tactics.

© 2010 Jeff Fisher LogoMotives.

Cowboy Jeffie's Picnic Pardner Potato Salad

With the arrival of summer comes many requests for me to contribute my potato salad to summer potlucks and picnics. I thought I would once again share my recipe for Cowboy Jeffie's Picnic Pardner Potato Salad.

(Yep, that's me - Cowboy Jeffie - in the photo)

As a kid, I always enjoyed visiting with my grandma in her kitchen as she made the potato salad for a family BBQ. (We'd often gather in their Medford, Oregon backyard, in the shade of the big old trees, to celebrate the Fourth of July and other summer events.) There was something magical watching her slice, dice and mix all the elements of her salad without the benefit of measuring the required ingredients - or even looking at a cookbook or one of her hand-written recipe cards. Over the years I've made the spud salad so many times the recipe is stored in my brain. However, a few years ago I took the time to measure all of the ingredients and write it down to share with others.

Cowboy Jeffie's Picnic Pardner Potato Salad
(serves 8-10 people)

10 red potatoes (boiled 30-40 minutes - or until a fork/knife can poke easily - and cut into bite-sized pieces)
6-7 eggs (hard boiled, sliced and diced)
1 medium onion (diced finely)
3 stalks celery (sliced thinly)
3-4 sweet or dill pickles (optional - diced finely)
Sliced black olives (optional - sometimes added for a little variety)

I usually boil the potatoes and eggs in the same pan and take the eggs out after 20 minutes. The eggs are immediately put into a ice water bath to cool. I continue boiling the potatoes until they are tender and also cool them in an ice water bath before cutting into small bite-sized pieces (leaving the skin on). All ingredients are mixed together in large bowl before adding the dressing

Dressing

1 cup mayonnaise
1 1/2 tablespoons gourmet mustard (I use Grey Poupon or Gulden's Spicy Brown Mustard)
1 teaspoon kosher salt
1 teaspoon fresh ground pepper
1/2 teaspoon celery salt
1 tablespoon pickle juice
3-4 tablespoons cider vinegar

Mix all dressing ingredients together well and pour over salad fixings. Mix well and store in fridge prior to serving. It's always best if allowed to sit in fridge for at least a couple hours. Mix well again before actually serving. You may want to add additional salt/pepper to taste. Enjoy!

Check out other Cowboy Jeffie recipes.

© 2010 Jeff Fisher LogoMotives

Toot! Toot!*: Jeff Fisher LogoMotives designs included in LogoLounge 'Animal & Mythology' book

Six identity designs by Jeff Fisher, the Engineer of Creative Identity for the firm Jeff Fisher LogoMotives, are included in the recently released book LogoLounge Master Library, Volume 2: 3000 Animal and Mythology Logos. The volume, produced by the web presence LogoLounge and Rockport Publishers, features over 3000 logo design examples from around the world.

The selected logos include images for the triangle productions! theatrical presentation When Pigs Fly, Portland company Black Dog Furniture Design and a Fall Thesis celebration for Reed College. One of the designer's first logo creations, created for the Chinese Student Association while a student at the University of Oregon, is also highlighted in the new volume. In addition, designs for greeting card firm Good Pig, Bad Pig and a multi-award winning concept for the Cat Adoption Team are featured.

Fisher, a 30+ year design industry veteran, is the author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands and The Savvy Designer's Guide to Success: Ideas and tactics for a killer career. He is currently writing the book Logo Type: 200 Best Typographic Logos from Around the World Explained, about typography in identity design, with a scheduled 2011 release.

The designer has received over 600 design awards and his work has been published in more than 140 books on identity design, self-promotion and the marketing of small businesses.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Graphis Annual Reports 2011
(Graphis - USA)
Deadline: 28 June 2010
Entry fees charged

Graphis New Talent Annual 2011
(Graphis - USA)
Deadline: 28 June 2010
Entry fees charged

HOW In-HOWse Design Awards
(HOW Magazine - USA)
Late Deadline: 1 July 2010 (with late fees)
Entry fees charged

American Graphic Design Awards
(GDUSA - USA)
Deadline Extended: 9 July 2010
Entry fees charged

Summit Marketing Effectiveness Awards
(Summit International Awards - USA)
Deadline Extended: 9 July 2010
Entry fees charged

Print Student Cover Competition
(Print Magazine - USA)
Deadline Extended: 15 July 2010
No entry fees charged

The Design Activist’s Handbook
(HOW Books - USA)
Deadline Extended: 16 July 2010
No entry fees charged

UCDA Design Competitions
(University and College Designers Assn.
- USA)
Deadline Extended: 16 July 2010
Entry fees charged

London International Awards
(London International Awards - UK)
Deadline Extended: 30 July 2010
Entry fees charged

Basic Brochures
(Index Book - Spain)
Deadline Extended: 30 July 2010
No entry fees charged

Trademarks USA
(American Pixel Academy - USA)
Deadline: 31 July 2010
Entry fees charged

Inside the World of Board Graphics
(Rockport Publishers - USA)
Deadline: 31 July 2010
No entry fees charged

International Wine Label Design Competition
(IWLDC - USA)
Deadline Extended: 2 August 2010
Entry fees charged

TypeCon: TypeGallery2010
(Society of Typographic Aficionados - USA)
Deadline: 5 August 2010
Entry fees charged

TypeCon: 2010 Poster Show
(Society of Typographic Aficionados - USA)
Deadline: 5 August 2010
No entry fees charged

Top 100 New Creatives 49
(CMYK - USA)
Deadline: 9 August 2010
Entry fees charged

Letterhead & Logo Design 12
(Rockport Publishers - USA)
Deadline: 12 August 2010
No entry fees charged

W3 Awards
(IAVA - USA)
Deadline Extended: 13 August 2010
Entry fees charged

Creativity Print Awards
(Creativity Awards - USA)
Deadline: 13 August 2010
Late Deadline: 27 August 2010 (with late fees)
Entry fees charged

Letterpool - London
(Letterpool - UK)
Deadline: 20 August 2010
No entry fees charged

HOW Interactive Awards
(HOW Magazine - USA)
Deadline Extended: 31 August 2010 (late fees waived)
Entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season One Deadline: 31 August 2010
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline: 1 September 2010
Late Deadline: 15 September 2010 (with late fees)
Entry fees charged

1000: A Steampunk Collection
(Rockport Publishers - USA)
Deadline: 1 September 2010
No entry fees charged

Communication Arts Typography Competition
(Communication Arts - USA)
Deadline: 10 September 2010
Late Deadline: 24 September 2010 (with late fees)
Entry fees charged

Summit Emerging Media Awards
(Summit International Awards - USA)
Deadline: 22 September 2010
Entry fees charged

Book of the Year, Volume 3
(Design & Design - France)
Deadline: 30 September 2010
No entry fees charged

Communication Arts Interactive Competition
(Communication Arts - USA)
Deadline: 8 October 2010
Late Deadline: 22 October 2010 (with late fees)
Entry fees charged

Print Creativity + Commerce Competition
(Print Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

HOW Poster Design Awards
(HOW Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

HOW Logo Design Awards
(HOW Magazine - USA)
Deadline: 15 October 2010
Entry fees charged

Hiiiband International Logo Award 2010
(New Graphic - China)
Deadline: 31 October 2010
No entry fees charged

Graphis Poster Annual 2012
(Graphis - USA)
Deadline: 29 November 2010
Entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

Graphis Design Annual 2012
(Graphis - USA)
Deadline: 10 January 2011
Entry fees charged

Summit Creative Awards
(Summit International Awards - USA)
Deadline: 24 January 2011
Entry fees charged

100 Best in Advertising 2012
(Graphis - USA)
Deadline: 14 February 2011
Entry fees charged

100 Best in Photography 2012
(Graphis - USA)
Deadline: 9 May 2011
Entry fees charged

100 Best in Annual Reports
(Graphis - USA)
Deadline: 13 June 2012
Entry fees charged

Graphis New Talent Annual 2012
(Graphis - USA)
Deadline: 13 June 2012
Entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives

Clowning Around: Toots Caboose begins second year with Amtrak Cascades Character Clown Corps

Toots Caboose, the alter ego of designer and author Jeff Fisher - the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives has started his second season as a member of the Amtrak Cascades Character Clown Corps for the Portland Rose Festival. Last year Toots emerged from clown school and made quite an impression at official Rose Festival events.

Toots Caboose in front of SP 4449 - “World's Most Famous Steam Locomotive.”

In some 2010 pre-festival duties Toots assisted in recruiting new members of the Clown Corps with appearances on KGW Newschannel 8 at Sunrise with Drewbo (KGW reporter Drew Carney) and a gaggle of Clown Corps pals; and KATU's AM Northwest program with Bango (KATU reporter Janice Bangs), Dolly, and Angel.

Al Baker, of the Pacific Northwest Chapter of the National Railway Historical Society, with Toots and Portland's National Train Day event.

Once again, Toots Caboose and members of the Character Clown Corps livened things up at the recent National Train Day festivities at Portland's historic Union Station. At the request of Amtrak Cascades officials, Toots was an official tour guide on their custom-built Talgo train.

Toots, with with Judy Hall of the Pacific Northwest Chapter of the National Railway Historical Society, hard at work giving Talgo train tours.

There are sure to be upcoming sightings of Toots Caboose and the Character Clown Corp troupe at the upcoming events:

Fred Meyer Junior Rose Parade: The oldest and largest children's parade in the United States will be held on Wednesday, June 9th.

Key Bank Grand Floral Parade: The Grand Floral Parade is Saturday, June 12th. In 2009, nearly 500,000 people lined the streets of downtown Portland to view the event.

For more photos of the 2010 Amtrak Cascades Character Clown Corp activities, check out this gallery of images

© 2010 Jeff Fisher LogoMotives

A look back at the 2010 HOW Logo Design Awards

This year HOW Magazine sponsored the first HOW Logo Design Awards competition. I was honored to be asked to judge the magazine's first event of this kind.

Over 800 student and professional identity designs were submitted to the competition. It would be my responsibility to choose ten logos to be honored. Thankfully, the Editors and staff of HOW Magazine initially reviewed and selected about 350 logos for me to judge personally. The winning designs have been announced and posted on the HOW website.

Here's a bit of a recap, with my brief comments:

• Hayneedle (Design by: Lippincott - USA) - "Simplicity at its best—in type treatment and graphic elements."

• Thomas & Gray (Design by: 22squared - USA) - "Hitting the mark in creating a logo meant to convey 'distinction, tradition and timeless elegance.'”

• Dirty Ice Cream (Design by: Dirty Ice Cream Design - Phillipines) - "A beautifully executed, retro type treatment that beckons the viewer deeper into the design."

• Thomas & Gray (Design by: Willoughby Design - USA) - "A major player in identity design shows how it's done—all while taking a chance on a non-traditional logo treatment to represent itself."

• New Sheridan Hotel (Design by: Urban Influence - USA) - "The history, culture and Western sophistication of Telluride, CO, are communicated in a crisp, modern presentation."

• Airplot (Design by: Airside - UK) - "This is a unique and intriguing, modular logo that allows for multiple uses and adaptations as needed."

• Lan Su Chinese Garden (Design by: Sockeye Creative - USA) - "This is an eye-catching, designerly twist on traditional Chinese imagery."

• Bronx Zoo Student Project (Design by: Carrie Madigan - USA) - "Inviting child-like imagery is in this logo, but there’s much more to be seen when taking a second look."

• Michael Bach Gastroenterologists (Design by: Josef Stapel Design - Germany) - "Never has the human digestive system been portrayed so elegantly—very clever letterform play."

• Renaud Merle (Blackbird) (Design by: Renaud Merle - France) - "A graphic smile delivered through two “r” letterforms creating a subliminal “m” with the extra treat of a fun blackbird image."

In addition, I wrote: "Over all, I was very pleased with the originality, execution and attention to detail exhibited in the hundreds of logos reviewed. Many designers submitted excellent showcase pieces that successfully conveyed their illustration talents, design skills and type treatment expertise.

"If I have any general criticisms, they are that a number identity designers need to break away from following current trends to create logos that may have greater longevity as an identifying symbol. And as entrants were given the opportunity, a short description or explanation of the logo submissions would have been very helpful as a judging tool for quite a few examples.

"Three of the final logos selected caught my eye on my very first review of all of the submissions. Narrowing the entries down to 100 logos was difficult; to 50 a real challenge; and to 20 was nearly impossible. I feel the 10 final logos selected represent the best of the best. After making my final selections, I was pleased to learn that five countries, large and small firms, and a student designer were represented.”

© 2010 Jeff Fisher LogoMotives

Jeff and Ed celebrate 20 years together

It was very appropriate that the date 05.05.10 signified the 20th anniversary of the relationship of Jeff Fisher and Ed Cunningham. To celebrate the occasion, as a surprise to Ed, I put together a Flickr album of photo images documenting the past two decades.

Friends are encouraged to send any additional archived photos to either of us. We appreciate those contributions that are already included in the gallery.

It had been our hope to spend some time this fall in France to celebrate the milestone. However, it's just not the right time - financially and otherwise - to spend several weeks in in Paris and the South of France. It was great to recognize the date while in Boston, with a wonderful outdoor dinner, at the incredible Petit Robert Bistro. Thanks to our friend mary for the restaurant recommendation - and to Lisa and Bev for having the bottle of Veuve Clicquot Champagne delivered to our table.

© 2010 Jeff Fisher LogoMotives

Spring 2010: Does your garden grow?

It has been a less than ideal spring in the Pacific Northwest - especially if you are a gardener. Playing in the dirt of my garden is a favorite source of therapy and inspiration. With the recent cold, rain and cloudy days, the garden is not flourishing as in past years.

Our garden did get off to a good start this spring. While we were on vacation in St. Croix in March, a crew from Joy Creek Nursery spent two days cleaning things up, removing plants damaged by the winter storms of the past two years and pruning the pink dogwood behind our home. I did have a blank slate for moving some plants around and the addition of many new items.

While things are a bit behind the usual season - and much wetter - there has still been a lot of color in the garden. As plants have poked through the soil, come into bloom or been added to the beds, I have contibuted photos to my 2010 Flickr gallery of garden images.

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Communication Arts Design Competition
(Communication Arts - USA)
Late Deadline: 28 May 2010 (with late fees)
Entry fees charged

Communication Arts Advertising Competition
(Communication Arts - USA)
Late Deadline: 28 May 2010 (with late fees)
Entry fees charged

The Best of Cover Design
(Rockport Publishers - USA)
Deadline Extended: 28 May 2010
No entry fees charged

My Own Business Card, Volume Two
(Design and Design - France)
Deadline Extended: 31 May 2010
No entry fees charged

Just Sit! Chairs and Stools Design
(Design and Design - France)
Deadline Extended: 31 May 2010
No entry fees charged

Best Organic Packaging, Volume One
(Design and Design - France)
Deadline Extended: 31 May 2010
No entry fees charged

Out of the Closet/Into the Street Poster Exhibit
(Center for the Study of Political Graphics - USA)
Deadline: 1 June 2010
No entry fees charged

Top 100 New Creatives
(CMYK - USA)
Deadline: 7 June 2010
Entry fees charged

"Non-Traditional" Advertising and Design
(CMYK - USA)
Deadline: 9 June 2010
Entry fees charged

American Graphic Design Awards
(GDUSA - USA)
Deadline: 10 June 2010
Entry fees charged

Graphis Annual Reports 2011
(Graphis - USA)
Deadline: 14 June 2010
Entry fees charged

Graphis New Talent Annual 2011
(Graphis - USA)
Deadline: 14 June 2010
Entry fees charged

Coupe International Design and Image Competition
(Coupe Magazine - Canada)
Deadline: 16 June 2010
Entry fees charged

Summit Marketing Effectiveness Awards
(Summit International Awards - USA)
Deadline: 23 June 2010
Entry fees charged

Print Student Cover Competition
(Print Magazine - USA)
Deadline: 30 June 2010
No entry fees charged

Basic Brochures
(Index Book - Spain)
Deadline: 30 June 2010
No entry fees charged

HOW In-HOWse Design Awards
(HOW Magazine - USA)
Late Deadline: 1 July 2010 (with late fees)
Entry fees charged

UCDA Design Competitions
(University and College Designers Assn.
- USA)
Deadline: 9 July 2010
Entry fees charged

International Wine Label Design Competition
(IWLDC - USA)
Deadline: 15 July 2010
Entry fees charged

HOW Interactive Awards
(HOW Magazine - USA)
Deadline: 15 July 2010
Late Deadline: 2 August 2010 (with late fees)
Entry fees charged

Trademarks USA
(American Pixel Academy - USA)
Deadline: 31 July 2010
Entry fees charged

Creativity Print Awards
(Creativity Awards - USA)
Submissions accepted 1 June 2010
Deadline: 13 August 2010
Late Deadline: 27 August 2010 (with late fees)
Entry fees charged

Letterpool - London
(Letterpool - UK)
Deadline: 20 August 2010
No entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season One Deadline: 31 August 2010
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline: 1 September 2010
Late Deadline: 15 September 2010 (with late fees)
Entry fees charged

Communication Arts Typography Competition
(Communication Arts - USA)
Deadline: 10 September 2010
Late Deadline: 24 September 2010 (with late fees)
Entry fees charged

Summit Emerging Media Awards
(Summit International Awards - USA)
Deadline: 22 September 2010
Entry fees charged

Book of the Year, Volume 3
(Design & Design - France)
Deadline: 30 September 2010
No entry fees charged

Communication Arts Interactive Competition
(Communication Arts - USA)
Deadline: 8 October 2010
Late Deadline: 22 October 2010 (with late fees)
Entry fees charged

Hiiiband International Logo Award 2010
(New Graphic - China)
Deadline: 31 October 2010
No entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

Summit Creative Awards
(Summit International Awards - USA)
Deadline: 24 January 2011
Entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives

Toot! Toot!*: Summit Creative Awards recognizes Stumptown Clowns identity with silver honors

The Stumptown Clowns identity, by Jeff Fisher - Engineer of Creative Identity for the Portland firm Jeff Fisher LogoMotives - has been recognized with Silver honors in the Summit Creative Awards. The awards honor and celebrate the creative accomplishments of small and medium sized advertising agencies and other creative companies throughout the world with annual billings of under $25 million. Thousands of entries, from 25 countries, were submitted for consideration this year. Since 1998, Fisher has received 18 of the Summit Creative Awards honors, in a variety of categories.

After attending Clown School in 2009, and becoming a member of the Portland Rose Festival Amtrak Cascades Character Clown Corps, the designer and several clown pals opted to form the Stumptown Clowns troupe for non-festival public appearances. When the name was adopted, Fisher immediately visualized a graphic clown face within the needed letterforms.

Judges for the 2010 Summit Creative Award were from both large and small-size companies including J. Walter Thompson USA, Inc.; Promoseven McCann Relationship Marketing; Pixel & Co.; Bates Ukraine; Wieden & Kennedy; Hal Riney and Partners; Strategy & Beyond, Turner Studios; Grey Advertising; MWW/Savitt; TBWA/Chiat/Day; Young and Rubicam; Leo Burnett; NYU; Turner Studios; Mfx, Inc.; Ogilvy; XM; and Saatchi & Saatchi.

Earlier this year the Stumptown Clowns logo received an American Graphic Design and Advertising Award.

Fisher, a 32-year design industry veteran, is the author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands and The Savvy Designer's Guide to Success: Ideas and tactics for a killer career. He is currently writing the book Logo Type, about typography in identity design, with a scheduled release in 2011.

The designer has received over 600 design awards and his work has been published in more than 140 books on identity design, self-promotion and the marketing of small businesses.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2010 Jeff Fisher LogoMotives

Garden umbrella takes a stand - in flower pot [Redux]

[One of my most popular bLog-oMotives entries the past two summer did not feature a graphic design topic. Instead it involved a garden design project. At the time, my instructions for a flower pot patio umbrella stand ended up on the homepage of Apartment Therapy. Then it was mentioned on the blog Life on the Balcony, resulting in a lot of traffic coming my way. Google searches are now bringing a lot of readers to my instructions for this project. I've also had several email requests for the information - so, here it is again.]

My increasingly gorgeous North Portland garden does need some urgent care this week. Things are growing out of control and I hope to take advantage of some "garden therapy" several times in the next few days. Funny, since LeAnn Locher wrote about my garden in Just Out this past month, quite a few people have been inviting themselves over for viewings. (LeAnn recently posted some additional photos on her Flickr page.) We've also been enjoying numerous dinners with friends out on the backyard patio.

Until quite recently I had paid little attention to the tumbled paver patio in front of the house. Initially created to eliminate the last patch of lawn in our garden, the patio had remained empty for almost a year. One of the ideal aspects of the patio space is that it is completely private from the street due to the growth of the plantings behind a curved retaining wall. In fact, walkers passing by on the sidewalk below, while commenting on the garden, most often are unaware I am up on the higher portion of the front yard.

I knew I wanted a couple somewhat traditional Adirondack chairs and a small table for the outdoor room. I also felt a garden umbrella was needed to shade the seating area in the mid-afternoon when hot, direct sunlight was a factor. Still, I didn't want your average, clunky umbrella stand in my front patio decor. When I came across some large pottery flower pots I knew I had my umbrella stand solution - I just needed to wait for the pots to go on sale. I couldn't possibly pay retail. I hate to pay retail.

A couple weeks later the pot I had my eye on went on clearance - and I had an additional 20% off coupon. My umbrella stand project could begin.

The materials needed for one flower pot umbrella stand (shown above right) are:

• 1 large, heavy flower pot - a minimum of 18" to 24" tall

• 1 piece of 2 inch PVC plumbing pipe - cut 2 inches shorter than the depth of the flower pot

• 1 metal plumbing flange to fit 2 inch pipe

• 1 transitional "screw-on thingy" to add to the flange allowing for the PVC pipe to fit into flange

• Rocks, gravel or crushed concrete - enough to fill flower pot to about 6 inches below lip of pot

• Potted annuals or perennials in 6 inch pots - enough to circle around top of large flower pot

• Metal peg or nail (optional)

The tools needed include:

• a tape measure

• a hacksaw (to cut the PVD pipe)

• an electric drill (optional)

Measure the depth of the large flower pot and subtract two inches. This will give you the length needed to cut the PVC pipe with the hacksaw. Screw the transitional "thingy" onto the flange, place the PVC pipe into the transitional "thingy" and place the combined pieces into the large flower pot (as shown above in the second panel from the left)

(As an optional step, I then measured 2 inches down from what would be the top of the exposed pipe and drilled a hole through both sides of the pipe. I placed the umbrella pole into the pipe, marked the location of the holes in the pipe and drilled a hole of the same size through the umbrella pole. This will allow me to slip a metal peg, or large nail, through the pipe and pole to prevent the umbrella from possibly taking flight in a strong wind.)

I then began to fill the flower pot with some crushed concrete - remnants of our past deck backyard deck project. With about 4-5 inches of concrete in the pot I repositioned the pipe/flange contraption so it was centered (above, center photo). I then continued to fill the pot with crushed concrete until I had reached a level about 6 inches from the lip of the flower pot. (above, second photo from right).

After leveling out the crushed concrete in the flower pot I placed seven 6 inch pots of flowers and vegetation in the large flower part and around the pole (above, far right). My flowering garden umbrella stand was complete. All I had to do was place the umbrella in the stand and arrange the rest of my garden furniture (below).

I purchased the Adirondack chairs, small table and umbrella on clearance, with a 10% off total purchase coupon from Cost Plus World Market. All the plumbing pieces used to make the stand came from a nearby Lowe's, but could probably be found at any hardware store. The large flower pot, as well as the smaller one and all the plants, were purchased on clearance - with additional coupon discounts - at a neighborhood store. My entire new patio decor project cost me just under $300.

I have enjoyed sitting out on the patio, working on my PowerBook, listening to the garden critiques from unsuspecting passersby.

Note: You might also want to check out my copper and bronze hose guard and copper pipe garden trellis projects.

© 2010 Jeff Fisher LogoMotives

Logodotes: W.C. Winks Hardware

[Over the 30+ years I've worked professionally as a designer, interesting side stories have come up about my identity designs. This is one of an ongoing series of "Logodotes" - anecdotes about my logo designs.]

Jane Winks Kilkenny passed away, at the age of 98, in December 2009. For nearly five decades she managed the day-to-day operations of a Portland institution W.C. Winks Hardware. I first met her in 1996, following her retirement, when daughter Anne Kilkenny hired me to design an identity for the business, which had been without a logo throughout its previous 87-year-old history. In one of our early interactions, Mrs. Kilkenny bluntly informed me that she didn't like the new logo at all.

W.C. Winks Hardware was established in 1909 by William Caldwell Winks and his daughter Jane stepped in to run the business upon his death in 1945. In 1996, his grand-daughter Anne Kilkenny provided me with one of the few existing photos of the founder (above left) as a possible centerpiece for the first logo for the hardware store.

In designing the symbol I hoped to convey a historical perspective for the retail establishment. Making use of ovals with banners, to showcase a stylized representation of Winks, graphically hinted at the turn-of-the-century founding of the business. The typefaces Horndon, Copperplate Gothic 33 and Copperplate Gothic 31 added to conveying a look of the time.

When the finished logo (above right) was presented to Anne Kilkenny, she was very pleased, and told me "it looks like the logo that would have represented the store when it opened in 1909." Shortly thereafter, at the Winks Hardware annual holiday party for customers and staff, Jane Winks Kilkenny told me, "I don't like the logo at all; it doesn't look anything like my father."

In 2001, Winks Hardware moved from its long-time Pearl District location to a much larger building in the city's Central Eastside Industrial District. The logo was prominently displayed on the front of the building as signage. Anne Kilkenny and her husband Jon Naviaux drove her mother by to see the completed new location of W.C. Winks Hardware. "The logo looks really good," was her first comment.

The W.C. Winks Hardware logo became an element of an anniversary image in 2009 when the store celebrated 100 years in operation (above).

Since its introduction the Winks Hardware logo has appeared in the books American Corporate Identity/14, New Business Card Graphics 2 (Japan), Letterhead and Logo Design 7, Graphically Speaking, LogoLounge - Volume 1, Logo Design for Small Business 2, Logos from North to South America (Spain), 1000 Retail Graphics and The Best of Letterhead and Logo Design.

© 2010 Jeff Fisher LogoMotives

Jeff Fisher offers suggestions in 'Design Matters: Portfolios 01;' new release from Rockport Publishers

Jeff Fisher, the Engineer of Creative Identity for the Portland-based design firm Jeff Fisher LogoMotives is cited as an expert in the new book Design Matters: Portfolios 01: An Essential Primer for Today's Competitive Market. The volume, released by Rockport Publishers, was written by Maura Keller of Keller Ink.

Design Matters: Portfolios 01 defines the core elements of self-promotion and portfolio creation and provides the insights graphic designers need to showcase their work in unique and creative ways. Case studies demonstrate the different techniques designers use to create successful portfolios for different audiences and measure the results of those efforts. The book also details how often portfolios should be updated and distributed and determine workable budgets to produce a great portfolio.

Fisher offers recommendations for portfolio creation and presentation in a book contribution titled "Portfolio Must Haves: Knowing when to stop and when to go." His expertise is recognized as the author of The Savvy Designer's Guide to Success: Ideas and tactics for a killer career, now available in a PDF format on CD from publisher HOW Books.

In addition to freelance writing for more than 50 publications for the past 10 years, author Maura Keller was a marketing communications writer for the award-winning design firm, Yamamoto Moss in Minneapolis. She has also written extensively on marketing and business-related topics for regional and national consumer and trade publications.

© 2010 Jeff Fisher LogoMotives

A simple garden trellis project [Redux]

The renovation of our garden continues. When Joy Creek Nursery had to remove an old rhododendron from what will become an outdoor kitchen area, a beautiful purple clematis lost its natural trellis. The old rhody found a new home out in the Joy Creek gardens, after being the model for a pruning class. The clematis, and several other plants, sat above ground, basically bare root, for a couple months before finding new homes among the revised hardscape.

I couldn't find trellises that I liked for the clematis. Most cost several hundred dollars and had patterns I didn't really want incorporated into our gardenscape. I roughed out a design on my computer for a set of trellises to be made out of copper pipe. My partner, Ed, previously made an arbor in a similar manner several years ago when he was practicing his copper pipe work prior to re-plumbing our home.

The trellises were designed to be approximately five feet wide and stand a total of five feet above the surface of the garden bed.

The materials needed for one trellis are:

• 8 pieces of 1/2 inch copper pipe cut to 24 inch lengths (you will want to use the thickest 1/2 inch pipe for added strength)

• 8 pieces of 1/2 inch copper pipe cut to 20 inch lengths

• 2 pieces of 1/2 inch copper pipe cut to 12 inch lengths

• 2 copper corner joints for 1/2 inch pipe

• 10 copper "tee" joints for 1/2 pipe

• 2 pieces of 3/8 inch rebar cut to 4 foot lengths

• 1 piece 1/4 inch copper tubing 5 feet in length

• 2 small metal screws 1/2 to 5/8 inches in length

The tools needed include:

• a handheld pipe cutter (available at the hardware store)

• the necessary solder and soldering equipment

• steel wool, sandpaper or a tool made for roughing up the pipe surfaces to be joined

• a container of flux and the necessary brush for "painting" it on the copper tubing

• a pair of gloves with a non-skid palm surface for assistance in holding the pipe while it is being cut

I cut all the copper lengths. On the flat surface of my patio, I then prefit all the pieces together to make sure all were correct and my trellis was going to be square. Ed then help me rough up all services that were to be soldered, but flux on both surfaces to be joines and soldered the frame at each joint. (many home improvement websites and books have great detail about the soldering process.)

I then formed the 5 foot length of 1/4 copper tubing into a spiral shape to serve as the centerpiece design element of the trellis. Spirals and swirls are patterns that have been repeated throughout our home in light fixtures, switchplate covers, light fixtures, fabrics, glassware, eating/serving utensils, dishes, interior art, garden art and elsewhere. Where the tubing was to meet the frame, I crimped the tubing flat with plyers and then drilled a hole (just smaller than the selected screws) through the flattened tupping and the "tee" joint where the swirl would be joined to the frame. The swirl was then screwed tightly into place.

Two pieces of rebar were then stuck about 1 foot into the ground at the distance determined by the width of the finished trellis. The finished trellis end pieces, or legs, where then forced over the rebar and pushed down to ground level. The previously homeless clematis was then planted in front of the trellis and I wove the new growth through the copper trellis frame.

The process was then duplicated for a second matching trellis. The plants seem very happy with their new homes - and I have trellises that also serve as garden art. I was thrilled that the finished trellises cost about $50 a piece in materials - due in part to the fact we already had the soldering supplies in our personal tool library - and were only a project of a few hours.

Note: You might also want to check out my copper and bronze hose guard and flower pot patio umbrella stand projects.

© 2010 Jeff Fisher LogoMotives

Toot! Toot!*: Spanish book 'For a Good Cause' gives new life to C.A.T. design by Jeff Fisher LogoMotives

The newly-released book For a Good Cause, coordinated and written by design firm Cactus Disseny, features an identity design by Jeff Fisher, the Engineer of Creative Identity for the Portland-based Jeff Fisher LogoMotives. The designer's logo concept for the Cat Adoption Team (C.A.T.) appears in the volume from Spanish publisher Index Book.

For a Good Cause is a collection of the best socially conscious design from around the world. Index Book originally set out to produce a book of only pro bono projects, but later decided to expand the concept to any design done with a good cause in mind. The projects featured were created to show that it is possible to make a better, more beautiful world and simultaneously convey the message of a cause-focused business or organization.

The Cat Adoption Team design won a Silver Award in the Summit Creative Awards. It is featured in the books Killed Ideas, Vol. 1, Letterhead & Logo Design 11, Designing for the Greater Good: The Best in Cause-Related Marketing and Nonprofit Design and American Graphic Design & Advertising 25. The yet to be published LogoLounge Master Library Vol. 2, Logolicious and Logo Nest 01 (Australia) will include the design. The logo also appears in the textbook Perfect Match Art Primary 5, by Prisca Ko Hak Moi - a collaborative project of publisher Pearson Education South Asia and Ministry of Education Singapore.

Fisher, a 32-year design industry veteran, is the author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands and The Savvy Designer's Guide to Success: Ideas and tactics for a killer career. Fisher is currently writing a new volume, Logo Type: 200 Best Typographic Logos from Around the World Explained, about typography in identity design. It is scheduled for a 2011 release.

The designer has received over 600 design awards and his work has been published in more than 130 books on identity design, self-promotion and the marketing of small businesses.

Fisher serves on the HOW Magazine Board of Advisors, HOW Design Conference Advisory Council and Art Institute of Portland Professional Advisory Council, and is a past member of the UCDA Designer Magazine Editorial Advisory Board. The designer also writes for HOW Magazine, other industry publications, and many webzines and blogs. In addition, Fisher is a nationally-recognized speaker, making numerous presentations each year to design organizations, design schools, universities and business groups. Graphic Design USA magazine named Jeff Fisher one of the design industry “People to Watch” in 2009.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2010 Jeff Fisher LogoMotives

Calls for entries: Upcoming graphic design competition and book submission deadlines

All of the following competition or book submission deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Communication Arts Photography Competition
(Communication Arts - USA)
Deadline Extended: 9 April 2010
Entry fees charged

Golden Bee 9: Moscow International Biennale of Graphic Design
(Golden Bee - Russia)
Deadline: 15 April 2010
No entry fees charged

The Big Book of Packaging
(Crescent Hill Books - USA)
Deadline Extended: 16 April 2010
No entry fees charged
Publication fee charged for inclusion in book

PRINT Regional Design Annual
(PRINT Magazine - USA)
Late Deadline Extended: 15 April 2010 (with late fees)
Entry fees charged

American Web Design Awards
(Graphic Design USA - GDUSA - USA)
Deadline Extended: 30 April 2010
Entry fees charged

Mediabistro Logo Awards
(Mediabistro - USA)
Deadline Extended: 30 April 2010
Entry fees charged

Graphis Photography Annual 2011
(Graphis - USA)
Deadline: 10 May 2010
Entry fees charged

ADC Young Guns 8
(Art Directors Club - USA)
Deadline: 12 May 2010
Entry fees charged

Applied Arts Design & Advertising Awards
(Applied Arts Magazine - Canada)
Deadline Extended: 14 May 2010
Entry fees charged

Communication Arts Design Competition
(Communication Arts - USA)
Deadline: 14 May 2010
Late Deadline: 28 May 2010 (with late fees)
Entry fees charged

2010 Pentawards Package Design Competition
(Pentawards - France)
Deadline: 14 May 2010
Late Deadline: 21 May 2010 (with late fees)
Entry fees charged

Communication Arts Advertising Competition
(Communication Arts - USA)
Deadline: 14 May 2010
Late Deadline: 28 May 2010 (with late fees)
Entry fees charged

The Best of Cover Design
(Rockport Publishers - USA)
Deadline: 15 May 2010
No entry fees charged

Top 100 New Creatives Competition
(CMYK - USA)
Deadline: 17 May 2010
Entry fees charged

The Best of Cover Design
(Rockport Publishers - USA)
Deadline Extended: 28 May 2010
No entry fees charged

My Own Business Card, Volume Two
(Design and Design - France)
Deadline Extended: 31 May 2010
No entry fees charged

Just Sit! Chairs and Stools Design
(Design and Design - France)
Deadline Extended: 31 May 2010
No entry fees charged

Best Organic Packaging, Volume One
(Design and Design - France)
Deadline Extended: 31 May 2010
No entry fees charged

American Graphic Design Awards
(GDUSA - USA)
Deadline: 10 June 2010
Entry fees charged

Graphis Annual Reports 2011
(Graphis - USA)
Deadline: 14 June 2010
Entry fees charged

Graphis New Talent Annual 2011
(Graphis - USA)
Deadline: 14 June 2010
Entry fees charged

Coupe International Design and Image Competition
(Coupe Magazine - Canada)
Deadline: 16 June 2010
Entry fees charged

Print Student Cover Competition
(Print Magazine - USA)
Deadline: 30 June 2010
No entry fees charged

Basic Brochures
(Index Book - Spain)
Deadline: 30 June 2010
No entry fees charged

HOW In-HOWse Design Awards
(HOW Magazine - USA)
Late Deadline: 1 July 2010 (with late fees)
Entry fees charged

UCDA Design Competitions
(University and College Designers Assn.
- USA)
Deadline: 9 July 2010
Entry fees charged

HOW Interactive Awards
(HOW Magazine - USA)
Deadline: 15 July 2010
Late Deadline: 2 August 2010 (with late fees)
Entry fees charged

Trademarks USA
(American Pixel Academy - USA)
Deadline: 31 July 2010
Entry fees charged

Creativity Print Awards
(Creativity Awards - USA)
Submissions accepted 1 June 2010
Deadline: 13 August 2010
Late Deadline: 27 August 2010 (with late fees)
Entry fees charged

iheartlogos
(iheartlogos.com - USA)
Season One Deadline: 31 August 2010
Entry fees charged

HOW International Design Awards
(HOW Magazine - USA)
Deadline: 1 September 2010
Late Deadline: 15 September 2010 (with late fees)
Entry fees charged

Communication Arts Typography Competition
(Communication Arts - USA)
Deadline: 10 September 2010
Late Deadline: 24 September 2010 (with late fees)
Entry fees charged

Book of the Year, Volume 3
(Design & Design - France)
Deadline: 30 September 2010
No entry fees charged

Communication Arts Interactive Competition
(Communication Arts - USA)
Deadline: 8 October 2010
Late Deadline: 22 October 2010 (with late fees)
Entry fees charged

Logo Nest
(Logo Nest - International)
Deadline: 31 December 2010
No entry fees charged

PAPERWORKS Letterhead Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

PAPERWORKS Text And Cover Contest
(Neenah Paper - USA)
Deadline: Ongoing - judged quarterly
No entry fees charged

(To make sure you are reading the latest bLog-oMotives design competition update click here.)

You may want to read my article about participating in design industry competitions and calls for book submissions: A collection of design competition - and book submission request - tips, tricks and observations.

A design competition calendar is also available at Icograda. Lürzer's ARCHIVE has an impressive online list of competitions sponsored by international magazines and organizations. Dexinger posts competitions of great value to industry professionals - however designers need to be aware that some of the listings are for "spec" work as a requirement for submission. Requests for new, or speculative, work as a condition of entering a "contest" are much different than legitimate design competition "calls for entries," in which previously created works are judged for possible awards, exhibition, or publication in an annual or other book.

My own work appears in over 130 graphic design books. Many of those inclusions are the result of design competitions, or requests for submissions, like those listed above.

© 2010 Jeff Fisher LogoMotives