UCDA designer poster auction under way on eBay

The University & College Designers Association (UCDA) is currently conducting an eBay auction of designer posters. Most of the posters are signed by the designer. All proceeds from the auction will benefit the UCDA Foundation which supports scholarships and programming and helps elevate the image of designers and design educators in education.

The current auction items include:

Spring Poster (signed), by Michael Manwaring

Summer Poster (signed), by Michael Manwaring

Winter Poster (signed), by Michael Manwaring

Wolfgang Weingart: Misc. Thoughts on Typography Poster (signed), by Chris Pullman

Wine Graphics Letterpress Poster (signed), by Mo Lebowitz

Earth Day 1990 Poster (signed), by Seymour Chwast

Mountain Laurels Poster (signed), by Lanny Sommese

Seasons Greetings Double-sided Vintage Postcard Poster (signed), by Deborah Sussman

Ohio Arts Council Grants in Design Arts Poster (signed), by Gordon Salchow

Fish Gulfstream Poster, Savage Design Group; Illustration by: Jack Unruh

Cooperstown Chamber Music Festival 2006 Poster, by Milton Glaser

Holocaust Museum Poster (Ten Years: Remembrance.), by Milton Glaser

Illustration: Mountain Laurels Poster, by Lanny Sommese

(Hey, they may have spelled my last name wrong - but I'm thrilled that UnBeige picked this entry up and mentioned it in their graphic design category on Monday. Hopefully more creative types will participate in the bidding.)

© 2006 Jeff Fisher LogoMotives

World AIDS Day 2006:

A day of reflection and a call to action


Just over 25 years ago a small article in The New York Times reported the outbreak of a rare "cancer" among 41 gay men in New York and California. No one could have predicted the impact that news item would eventually have on the world.

Today, an estimated 22-25 million men, women and children have died of AIDS or AIDS-related illnesses, and an estimated 40 million individuals are living with HIV. AIDS impacts people of all ethnicities, ages, genders and sexual orientations. AIDS is devasting generations in Africa. The United Nations AIDS agency estimates that India has the largest caseload for a single country with 5.7 million individuals infected with HIV. AIDS continues to impact Americans in huge numbers.

World AIDS Day, December 1st, is a time for all people worldwide to unite in the ongoing fight against AIDS. It is up to all of us to stop the spread of HIV - and prejudice - through education, prevention programs, assisting in the care of those with HIV/AIDS, and doing what we can to help find a cure. World AIDS Day also offers a time to reflect on the personal impact of AIDS in our lives.

In December 1985 I got the news that one of my best friends had AIDS - one of the earliest cases in Oregon. Still, I was not prepared for what was to come. Over the next decade so many people I knew died of AIDS, including my college roommate, a fraternity brother, teachers, friends, clients, vendors, neighbors, other roommates, a distant cousin and others. I literally lost count as the number of people I personally knew who died from AIDS neared 100. My cousin, promising playwright and director Bradford O'Neil, was HIV-positive and committed suicide after caring for his partner until his death. This past year my best friend, Brad Hall, - who was diagnosed HIV-positive many years ago - died from what had extended his life. The "cocktail" of medications he'd taken for quite some time destroyed his liver and he did not live to get a proposed transplant. I've thought about many of these individuals with recent AIDS, and World AIDS Day, news.

As "creative types" - designers, photographers, writers and others - we are in a unique position to take action in the ongoing battle against AIDS. It's hard to believe that it has been 20 years since I first started doing design work related to HIV and AIDS. The projects have included logos for AIDS Walks, fundraising events, AIDS organizations, theatrical presentations about AIDS, a food bank for people with HIV, hospices and related clients. I've also created posters, newsletters, banners, ads, education booklets and other collateral items used in informing the public about the prevention of AIDS and the care of those with HIV.

I encourage - or challenge - others in the creative professions to do the same. Contact your local AIDS organizations, health departments, hospices and related groups to offer your services as a designer, photographer, writer, or even as person with some time to donate in providing any service needed.

The following resources may be helpful in locating organizations needing your assistance:

amFARKnowHIVAIDS.orgMTV/Staying AliveUNAIDSBill & Melinda Gates FoundationClinton Foundation HIV/AIDS InitiativeThe Elizabeth Glaser Pediatric AIDS FoundationDesigners Without BordersONEWe All Have AIDSWorldAIDSDay.orgBroadway Cares/Equity Fights AIDSDoctors Without BordersGuideStarDesign for Social ImpactAIDS Healthcare Foundation

© 2006 Jeff Fisher LogoMotives

P22 Foundry announces font pricing changes

I recently received the following email from the P22 Type Foundry, one of my favorite font resources for logo text, announcing some pricing changes:

"As of Jan 1, 2007, we will be adjusting some font prices. The P22 font sets that are now $29.95 will be priced according to the number of fonts in each set. For example, Cezanne (a set of two fonts) will remain at $29.95, while Eaglefeather (a set of 5 fonts) will be adjusted to $59.95. Single fonts will remain at $19.95 each.

In addition, we will no longer offer boxed P22 fonts on CDs as an online ordering option. We will still offer the CD back-up option for all fonts issued by any division of P22 type foundry for the nominal charge of $5, plus shipping.

Now is definitely the time to order those P22 boxed fonts you've been wanting...for yourself or for holiday gifts. Existing prices and ordering options will remain in effect until Dec 31, 2006.

In addition, as of January 1, 2007, all fonts in the P22 division (i.e., not fonts issued through IHOF, Lanston, Sherwood or Rimmer) will be delivered in TrueType, PostScript and OpenType format."

Prior to the new pricing changes, P22 is having a sale on their boxed CD font sets. Even after the price increase the foundry's fonts will still be a great value in comparison to the offerings of some other companies.

In other P22 news, the company is "cleaning house" in preparation for an upcoming move and offering a "P22 Ephemera Pack" for only $10 plus shipping. Each pack features over 40 different items - including P22 catalogs, postcards, expired P22 dollars, stickers, packaging and other P22 stuff. Double and Triple packs with scarcer items are also available.

Designers might also want to consider joining the P22 Club 2007. For $99.95 club members get five fonts, 20% off all purchases during the calendar year and more.

For many years I've used P22 fonts in designing identities. In a future bLog-oMotives entry I'll post a some of the designs using type from the P22 collection.

It may be time to visit the P22 website and check out what they have to offer.

© 2006 Jeff Fisher LogoMotives

Startup Nation podcast features LogoMotives

Yesterday, after returning from an extended Thanksgiving weekend, my several hundred emails included Startup Nation's weekly newsletter with the subject "8 Steps to Blogging Success." I clinked on the link to the resource site for entrepreneurs and small business owners, read the informative article by writer Lynne Meredith Schreiber and posted a comment about making use of blog directories as an additional resource. In a very short period of time I received a private message from Joel Welsh, the Chief Community Officer of Startup Nation, asking if he could interview me for the Community Podcast series.

The result of the very enjoyable, somewhat "real world," interaction is the podcast "Marketing Through Blogs and Forums." Joel and I covered my use of bLog-oMotives as a promotional tool to inform potential clients about my work and draw visitors to my website. We also discussed how completed online forum/community profiles, actual forum posts and well-managed forum signatures can be part of a successful business marketing plan.

Of course, along the way I got in plugs about my first book, The Savvy Designer's Guide to Success and my upcoming volume, Identity Crisis! I also got another opportunity to "blame" Kevin Carroll and Karen Larson for my 2004 HOW Conference appearance in my underwear, and got in a mention of one of my favorite blogs - Designers Who Blog.

I do hope you'll take the opportunity to give the podcast a listen. You may also want to take a good look at the other valuable resources available at Startup Nation.

Note: Chief Community Officer Joel Welsh comments further on the conversation we had yesterday, and the benefits of cross-marketing, in a follow-up podcast today.

Update: In doing an online search, I just discovered that my podcast with Joel has been mentioned as a "WILDhair" at Designers Who Blog

© 2006 Jeff Fisher LogoMotives

It's Holiday Sale time at Chronicle Books

One of my favorite book publishing (and retail) companies is Chronicle Books. Right now, through December 10th, the company is having their 40% Off Holiday Sale. It's a great time to do some holiday gift shopping - or purchase some additions to your own library.

Chronicle has a wide selection of books, on a variety of topics, on their website. I always enjoy checking out the graphic design and art/design reference selections. In addition, whenever I'm in San Francisco I visit the Metreon store and slobber all over the books available.

Hmmm...one day I'd love to do a book for Chronicle Books myself...

© 2006 Jeff Fisher LogoMotives

Fisher's VanderVeer Center ad design

featured in The Big Book of Layouts

A full-page magazine ad for the VanderVeer Center, a Portland- area provider of anti-aging medicine and cosmetic procedures, is featured in the upcoming book The Big Book of Layouts. The ad design, by Jeff Fisher of Jeff Fisher LogoMotives, is one element of the total rebranding of Dr. Elizabeth VanderVeer's medical facility. In this volume, prolific graphic design author David E. Carter highlights layout design efforts from graphic designers around the world.

Following Fisher's design of the VanderVeer Center identity, the immediate need in the branding of company was the creation of four-color print ads. The ad, featuring one of Dr. VanderVeer's own paintings, introduced the new logo, the tagline "The Art & Science of Image Enhancement," a new color palette and the photos of Loma Smith. The advertisement initially appeared in Affluent Living, Portland Monthly and regional editions of Better Homes & Gardens. Versions of the ad, including black and white adaptations, also appeared in area newspapers. The design concept was then used in the creation of all collateral for the VanderVeer Center and on the firm's website. The stationery package designed for the firm will appear in the upcoming volume The Big Book of Letterheads. The rebranding effort will also be featured in Fisher's book, Identity Crisis!, when it is released by HOW Design Books in 2007.

Since 1998, hundreds of examples of the design work of Jeff Fisher LogoMotives have appeared in over 20 books from David E. Carter, including the American Corporate Identity series, the Big Book of Logos collection and Global Corporate Identity. Fisher design efforts are also featured in the volumes Bullet-Proof Logos, Blue is Hot, Red is Cool, The Big Book of Designs for Letterheads and Websites, The Big Book of New Design Ideas, Logos Redesigned, and The Big Book of Business Cards.

© 2006 Jeff Fisher LogoMotives

A Sunday Morning look at the art of the cookbook

The CBS Sunday Morning show is my favorite way to start my own Sunday morning. Give me a double latte, the Sunday New York Times, the TiVo-ed television show (so I can fast-forward through the annoying commercials) and a comfy position on our down-stuffed couch, and I am one very happy camper.

This morning's program was all about one of my favorite topics: food. One of the segments was The Art of the Cookbook, providing a historical perspective of what will be a 500 million dollar industry this year.

Our household certainly contributes to that economic boost to the publishing industry. Over 200 cookbooks are on the shelves in our kitchen - still far behind the 350+ cookbooks my mother has collected. My partner, Ed, has an ongoing love affair with cookbooks. For him such books are pleasure reading. There's usually a cookbook, or at least several "foodie" magazines, on his nightstand and he'll drift off to dreamland with thoughts of incredible meals bouncing around in his head. Over the years, with Ed's cooking better than most restaurant offerings, we've even discussed the possibility of creating a cookbook ourselves.

Seeing the show reminded me that over 30 years ago I played a part in creating a cookbook. I was a sophomore in college when I was asked to create illustrations of the buildings on the University of Oregon campus for the University of Oregon Centennial Cookbook 1876 - 1976, produced by the University of Oregon Mothers' Club as a fundraiser. We do have a copy in our own cookbook collection. Out of curiosity I thought I would "Google" the book and see what popped up. There it was on Amazon and eBay for anyone to purchase - over 30 years after the fact. Never one to throw anything away, I still have the original, now seemingly crude, illustrations in a file somewhere in my incredibly messy office...

© 2006 Jeff Fisher LogoMotives

Portfolios by the book?

While enjoying my first espresso drink this morning, my local television news got my attention with a story about the changing face of book publishing. Recently I've heard good things about the self-publishing company Lulu.com. My friend/client Don Horn will be releasing his autobiography later this month, and writer Kristen Fischer will publish her book Creatively Self-Employed (with yours truly as a contributor), through the resources of iUniverse. I've also seen photo gift books produced by friends through the sites of Apple, Kodak and other sources. However, I'd never heard of the publishing venture Blurb.com until this morning.

The news blurb about Blurb.com piqued my interest and I went to the site. My immediate thought was: What a great portfolio resource for graphic designers. A designer (or design firm) could cost-effectively create a book of their work, with text explanations, and present a concise, professional- looking volume to prospective employers or potential clients. With the quick turn-around in custom publishing, the books could also be used as high-quality, finished project presentations. Softcover prices start at $18.95 for a 40-page, 8x10 4-color book with the same 80# coated, semi-matte paper and professional print quality Blurb delivers in its hardcover books. What I liked most about Blurb was the amount of creative control it gives the individual producing a book.

In flipping through the catalog of recently published books, I didn't see any current examples of graphic design book efforts. I did see many volumes of photography, a published MFA exhibition volume, a book of drawing and ceramics, and an architect's portfolio. Why not graphic design portfolios?

A customer first downloads Blurb.com's BookSmart™ software beta - in PC or Mac format - and the book creation process may begin. Blurb makes it easy to create a professionally designed book, using simple dragging and dropping of photos and auto-flowing text. Features have also been added to help people better market their books in Blurb’s Bookstore. Along with showing larger cover images in the Bookstore, Blurb customers can now elect to show prospective book buyers the first 15 pages of their books via a view-only PDF file with the Book Preview feature. Blurb’s new tagging tools allow users to categorize and tag their books for more exposure. Blurb even offers their own book How to make a book for $14.95 (which includes a $10 off Blurb coupon for future use). The instruction book is also available for PDF download.

Currently Blurb books printed using BookSmart do not have an ISBN number and therefore can’t be sold in bookstores or through other online book selling sites. However, there are plans in the works to offer a service that will help authors obtain their own ISBN numbers in the future.

The easily-navigated Blurb website provides a great deal of information. In fact, I have probably spent a good hour checking out things on the site so far this morning. There is also the Blurberati Blog, which appears to be a valuable additional resource for those considering using the publishing service.

Of course, your own book of photos, art, poetry or writing would make a great holiday gift for others. You had better get your ass in gear - the publishing deadline for delivery by December 22nd is December 11th.

(Note: For a review of Blurb and other self-publishing resources check out Macworld's "Beyond Apple's photo books.")

© 2006 Jeff Fisher LogoMotives.

50 essential bookmarks

Communication Arts asked leading designers, representing a cross-section of the profession, to share the top ten sites they consider vital to their work. Culled from more than 500 suggestions, the 50 essential bookmarks was originally published in the Communication Arts November Design Annual 2006. The list is divided into categories to help navigate the Web.

Many of the listings are already among my favorites. I was especially pleased to see Designers Who Blog on the roster.

Doodlers-in-Chief doodle-doo

Some of our U.S. Presidents, like Dwight Eisenhower, were fairly good artists. Others simply preferred to doodle. The creators of Cabinet magazine have spent years scouring archives and libraries across America in creating the new book Presidential Doodles: Two Centuries of Scribbles, Scratches, Squiggles & Scrawls from the Oval Office. They have unearthed hundreds of presidential doodles and present the finest examples of the genre in the volume. Historian David Greenberg sets these images in context and explains what they reveal about the inner lives of our commanders in chief.

Additional information about the book can be found on the site of the CBS Sunday Morning television program, in the article Drawings By Commanders In Chief May Hint At Their Thoughts. It's interesting to learn that Presidents Carter and Ford were not doodlers, and Nixon was a "disappointing doodler."

The book's accompanying website PresidentialDoodles.com offers doodles from the book, a "who did the doodle" quiz, and additional resources - including links to many of the presidential libaries or other libraries with presidential collections. You can even send a doodle e-card to a friend.

Cabinet is a quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and "magazine." Like the seventeenth century cabinet of curiosities to which its name alludes, Cabinet focuses on the margins of culture. Playful and serious, exuberant and committed, Cabinet features the work of artists, writers, historians, scientists, and much more.

©2006 Jeff Fisher LogoMotives

Southwest designers have it all wrapped up

The other day I got an email from cyber-friend Kim Buchheit, of Buchheit Creative Services and Creative Refuge. She wanted to make me aware that she and three other Arizona designers were recently honored in a wrapping paper design contest sponsored by Southwest Graphics. Kim's winning design is the featured illustration in this bLog-oMotives entry. Her design, and those of Julie Jones (Studio Street Graphics), Jen Saunders (Jen Saunders Design) and John West (AAA Arizona), are all available for sale on the Southwest Graphics website. The four selected designs will also be featured in the November/December 2006 issue of Southwest Graphics magazine.

All proceeds will benefit the Phoenix-based UMOM New Day Centers, a nonprofit organization that provides homeless and low-income families with food, shelter and tools to build a bridge to self-sufficiency.

Ironwood Lithographers generously donated printing of the winning wrapping paper designs.

Designing wrapping paper, notecards or other marketable items for your favorite nonprofit cause would be a great way for any designer to do some good in their local community, help an organization raise some needed funds, and get some excellent design exposure as well. Those "warm and fuzzy" feelings from doing something for someone else are also a great bonus.

Congratulations Kim, Julie, Jen and John - and thanks to Kim for bringing this particular worthy cause to my attention.

© 2006 Jeff Fisher LogoMotives

It's a yummy soup kind of day...

I've lost track of how days it's been raining here in Portland. I know that a total of ten or so days of falling moisture was in the weather forecast a few days ago. It's time for some comfort food to ward off the fall blues. This morning a friend called for my butternut squash soup recipe as she remembered enjoying it so much at our home during one of our soup group meals. It sure is a tummy-warmng soup kind of day - especially as I continue to recover from the nasty cold and bronchitis I've been dealing with for a couple weeks now. I thought I'd share the recipe here with you all (or "all, y'all" if that is appropriate)

Cowboy Jeffie's Butternut Squash Soup with a Kick

2 tablespoons butter
1 large onion
- coarsely chopped
1 large butternut squash (about 3 lbs.) - peeled, seeded and
cut into 1-inch chunks
1.5 quarts chicken stock - preferably homemade or low-sodium
1/4 cup good bourbon (and you might as well pour a drink
for yourself, too!)
1 tablespoon fresh ginger - minced or grated
1/2 teaspoon ground nutmeg
1 bay leaf
1 tablespoon fresh lemon juice
1/8 teaspoon cayenne pepper
(or to personal taste)
Salt and pepper (to taste)
1/4 cup heavy cream (or to taste)
Garnish with additional grated nutmeg, Italian parsley or
cilantro leaves, or a dollop of sour cream or yogurt

1.) Melt butter in heavy soup pot. Add onion and stir to coat. Cover pan and sweat until soft - about 10 minutes. Add squash, stock, bourbon, ginger, nutmeg and bay leaf. Bring to a boil, then reduce heat to a simmer and cook covered until squash is very soft, 30 to 40 minutes.

2.) Remove and discard bay leaf. Transfer cooked soup mixture to blender (or use hand/immersion blender) and process until smooth. Return to pot and cook over medium heat, stirring occasionally, until soup thickens to consistency of light cream, 10 to 15 minutes.

3.) Stir in lemon juice. Add cayenne. Season with salt and pepper to taste.

4.) Add heavy cream just before serving and re-adjust seasoning if necessary.

5.) Once the soup is ladled into bowls you may wish to garnish with grated fresh nutmeg, Italian parsley or cilantro leaves, or a dollop of sour cream or lowfat yogurt.

Serves 8 as a first course.

Don't forget Cowboy Jeffie's Confetti Chicken Chili is also a great hot meal on those cold fall and winter days.

Enjoy!

© 2006 Jeff Fisher LogoMotives

To market, to market, to get design gigs?

On several online forums, in recent face-to-face discussions with designers, and in numerous emails the past few weeks, the question has been the same: "How should an independent graphic designer go about marketing themselves?"

I don't pretend to have all the answers for every business. However, the most successful methods for promoting my business are listed below. Hopefully others will find some valuable advice and tools for bringing clients their way.

Industry design competitions: The majority of my marketing budget goes to cover entry fees in industry design competitions. Having pieces honored results in work being printed in design annuals and other design books. I have at least one potential client a week contact me because they have seen my work in a design book at their local bookstore. It also gives you "bragging rights" for press releases announcing your career accomplishments. Do be cautious of "design contests" that are nothing more than "spec" work in disguise.

Press releases: One of my major methods of marketing/promotion is sending out press releases about my work. Make a list of newspaper and magazine editors in your area, and the editors of design and business publications you wish to contact, and send out releases about your business - announcing a new business, new clients, completed projects, design awards and other accomplishments. Seek out press release distribution opportunities online as well such as PRweb.com or PRleap.com. Developing relationships with editors, and design or business editors, creates a number of possibilities for future media exposure of one's work and business. I also send out my press releases in email format to past clients, current clients, potential clients who have contacted me, vendors, friends and family. You never know when someone needs to be "reminded" that your services are available.

Networking: Make EVERYONE you know aware of what you are doing - family, friends, neighbors, former clients, local businesses, and others. Join a local business organization, Chamber of Commerce, industry related organization (International Association of Business Communicators, local ad federations, marketing associations, Women in Communications, public relations organizations, AD2, etc.) and network with people who may need your services. ALWAYS carry your biz card with you. Part of networking is participating in online forums specific to design or business.

Blog: These days my most effective marketing tool is my blog - which is done a no cost. Still, it gets me a great deal of exposure and brings a large number of clients my way. It also directs writers and editors my way who want to use me as a resource or write about my blog. (I just did a Google search for my blog's name and 65,400 references were found.)

Website: I am surprised at the number of independent designers I come across who do not have a web presence. If you don't have a website you had better get one established. Your potential clients will EXPECT it. Most of my clients come to me by way of my website - after reading about me or seeing my work elsewhere - and 80-85% are from outside my home state.

Online directories: Make use of free and paid online directories to get your name and contact info out to possible clients. (Watch for a blog entry about online directories in the near future.)

Work with nonprofits: A good way to promote your business is to do pro bono, or discounted, work for nonprofit causes you support. You should get a credit on all the pieces being produced for the organization. You also have the opportunity to meet a lot of business leaders in the community who serve of the board of directors or are involved with the group. I discourage designers from ever doing free work for "for profit" ventures. In doing so you convey that your work has little or no value - and that's what they will remember if you go back to them for future projects.

Being the expert: Writing articles for publications, making yourself available to the media as an industry expert and being a speaker are all excellent methods of promotion. I was once contacted by a potential client who was given my name by someone who had heard me speak to a group of Small Business Development Center educators FOUR YEARS earlier! Establishing relationships with editors has been a great marketing tool for me. I was recently contacted by a writer for a major business magazine. He remembered me being quoted in an article on a website five years ago and sought me out. Such exposure always results in new client possibilities. When editors or writers contact me for quotes or illustrative content I usually drop everything to make what they need happen. Most such offers have a limited "shelf life."

Direct Mail: Target the businesses with which you would like to work and send them a postcard, brochure or flyer about your services. It's been over 15 years since I've done so, but when I did I had ten new clients over a period of several weeks and I was still getting work from the one 750-piece mailing five years later.

For me it's all about spending as little as possible to market/promote my efforts for maximum exposure and results. My work is constantly promoting itself - with minimum effort by me. I do dedicate at least half of each Friday - the day each week that I have no client contact - to marketing and promotion.

As I mentioned earlier, this is not the "be all, end all" list of marketing and promotion possibilities for the independent designer. Still, the suggestions should be helpful in getting you started with some marketing efforts.

© 2006 Jeff Fisher LogoMotives

Design industry experts offer career advice

in navigating sticky situations at work

In every in-house designer's career, unique, uncomfortable and difficult workplace dilemmas will at some time rear their ugly heads. How one handles such situations may play a major role in the future at a given job. The Creative Group eZine called on four design industry professionals to offer possible suggestions in taking on common career predicaments in the latest issue article Business Etiquette Survival Guide: Navigating sticky situations at work

National speaker, author and marketing mentor Ilise Benun; Wyeth Corporate Graphic's assistant director Glenn John Arnowitz; design principal and Langton Cherubino Group partner David Langton; and myself were all asked for input on a variety of possible career-impacting situations. Hopefully our feedback will help others in the design profession be better prepared for the sticky situation surprises that may pop up in the workplace.

© 2006 Jeff Fisher LogoMotives.

Design studio housecleaning - excavated artifact #6

In his recent Right Brain Reader piece, Away from the sketch pad; away from the struggle, Philip Bailey mentioned the logo I had designed for the theatrical production Fat Men in Skirts. Having done the logo about a decade ago, I had not thought about the image in some time - and then the other day I came across my original sketch for the identity on a scrap of laser paper that I had filed away.

I've been designing logos for triangle productions! theatre presentations for over 16 years. Producer/director Don Horn has been a dream client. He'll throw some odd play or musical name my way and leave me alone to create the identity for the show. He seldom even requests any changes in the designs. In this case, the production was to be playwright Nicky Silver's show Fat Men in Skirts.

I almost immediately had an image for the logo in my mind - kind of a cross between a middle-aged thick manly man and someone's pleasantly plump grandmother - with curly black chest hair. I quickly sketched out a rough design and then proceeded to take the image to the computer. In my digital design I wanted to maintain some of the qualities of the rough drawing - without giving the "fat man" too much detail.

The show was yet another successful local theatre production. My logo design had some success as well. It was recognized by the PRINT's Regional Design Annual at the time and was published in the Japanese design book New Logo & Trademark Design - which was recently republished in paperback as Logo and Trademark Collection.

My latest assignment: Create the logo for Tonya & Nancy: The Opera (Yes, that Tonya and Nancy!).

© 2006 Jeff Fisher LogoMotives

Jeff Fisher LogoMotives represented in

two new graphic design books

Yesterday my mail delivery brought me copies of two new graphic design books in which comments by me, or examples of my work, are featured. Today I am getting high off the fumes of printing ink as I flip through the fresh-off-the-press volumes

The first is Caffeine for the Creative Mind: 250 exercises to wake up your brain by Stefan Mumaw and Wendy Lee Oldfield. The book, from HOW Design Books, is a collection of over 250 brain- stretching creative exercises; feedback on exercises tried by designers, illustrators, photographers, professors and others; and interviews with industry professionals. Wendy Lee Oldfield interviewed me for the book about 17 months ago when I was speaking at the HOW Design Conference in San Diego. The result of that meeting is highlighted in the book, along with interviews of Terry Marks, Kevin Carroll, Denise Weyhrich, Brian Sack, Steve Morris, Mike Dietz, Peleg Top, John Sayles and Sheree Clark of Sayles Graphic Design, John Foster, and Von Glitschka.

The book is sure to be an instant hit with "creative types" around the world - and will most likely soon be found on the book lists of many design schools. Now, I just need to find the time to sit down and read it from cover to cover.

The second book in my mailbox yesterday was American Corporate Identity from David E. Carter. The design annual features the winning graphic design entries from the American Corporate Identity 22 competition. Four of my logo designs - for the Benicia Historical Museum, NoBox Design, Twisted Elegance Interactive and Just Out newsmagazine - are included in the volume. The designs were presented in a previous bLog-oMotives entry when the winning entries were announced by competition organizers.

Since 1998, when I first started entering the American Corporate Identity competitions, 24 logo designs and one marketing collateral package designed by Jeff Fisher LogoMotives have won the Awards of Excellence and been featured in the annual publications. The deadline for the next competiton will be in December of this year.

© 2006 Jeff Fisher LogoMotives

"Call for entries" confusion?

(Note: Over the weekend a thread developed on the Graphic Design Forum, initiated by the posting of a Rotovision "call for entries" for book submissions, making it clear that some design professionals are a bit confused about the difference between "spec" work and a legitimate book submission "call for entries" - and were not familiar with the graphic design book publisher. The following is my posted response to the thread issues.)

I do think it's great that design professionals are so quick to question "calls for entries" when so many posted online these days are for speculative work - or, in other words, requests for designers to create NEW work - without compensation - in competition with others for possible payment on a job or the use of the final art without any compensation at all. It shows that the NO!SPEC movement is making great strides. However, "calls for entries" for EXISTING work - for which a designer has already been paid - to be included in a design book or annual have been part of the industry as long as there has been a graphic design profession - and are a totally different beast.

Rotovision books are incredible design resources, and much better known on the other side of the "pond." Rotovision is a "sister company" of the much more familiar Rockport Publishers in the U.S. Still, the Rotovision logo on the spine of a book should be getting more and more recognizable to any designer spending time at any bookstore in the U.S. with a great graphic design section. I see more of them all the time.

My own work has now represented in over 80 design books and annuals in the last ten years. My work has been published in design books from Japan, Korea, Sinagapore, China, Brazil, Spain and the U.S., literally giving my work worldwide exposure. (The last time I was in Italy I came out of the Accademia, after seeing the statue of David, to see a design book in the store window across the street open to a page full of my logo designs) It is one of the best marketing tools I have ever used in the marketing and promotion of my work. The vast majority of people contacting me in regards to design work now say "I saw your work in a design book at my local bookstore..." It all about making your design efforts work for you, rather than working your ass off all the time to market and promote yourself - creating a high visible extension of your portfolio of great work.

As a result of being published in design books a lot of other things have happened in addition to new clients. I'm often asked for work to illustrate other books on design or small business marketing - and to be included in magazine articles. I've been asked to speak at conferences, write books and magazine articles, and even to submit works for inclusion in the archives of the Center for the Study of Political Graphics.

Such "call for entries" requests offer great opportunities to present what you consider your best work to an audience much wider than that originally seeing the work. The "damn I'm good" aspect of being included in such a book is great for yourself, your career AND the client for which you did the original work. (i.e. If you don't "toot! your own horn, no one else will) My client firms, and the direct contact with whom I've worked, love having their work showcased in design volumes as an unbiased verification that they did something right in producing the highlighted project.

In most cases the books required no entry fee, or publication fee, for the acceptance or publication of my work - and "free" is a very good price for world-wide advertising. Those requiring entry fees - to offset administration, production and publication costs - simply became part of my business advertising costs (and a much better use of those dollars). The inclusion of my work in such volumes doubles the promotion opportunities when it comes to sending out press releases about the work being published.Many designers do understand the business value of being included in such books, and the personal pride in having work presented in such a graphic arena. Those whose work was included in my first book, The Savvy Designer's Guide to Success, keep me posted about the results of their work being featured. Over 50 design firms are represented in my upcoming book, Identity Crisis!, and most jumped at the invitation to showcase their work in a book that is being sold on Amazon nearly 10 months before it is published. With my office being "closed" on Fridays, I find myself spending most of those days on such marketing efforts and opportunities to have my favorite project receive greater exposure.

One of the oddest things about this world of graphic design books is the number of times I have picked up a new book at a local bookstore - for which I have not submitted designs - only to find my work used in the book without my permission or any attribution of credits at all. It usually turns out that the designs have been "borrowed" from an existing book. Most often these books are published in countries where there is already little regard for copyright of any kind.

I noticed that (a regular forum poster) already posted one of my articles on this topic. I'll post it again - along with a couple other resources.

Article: A Winning Strategy

Article: When a "contest" is not a contest

I also do a bLog-oMotives entry every 60 to 90 days updating "calls for entries" from book publishers and writers from around the world. Here's the latest entry:

Calls for entries: Upcoming design competition deadlines

Good luck!

© 2006 Jeff Fisher LogoMotives

An introduction to Amazon Shorts

Recently, design educator and writer Robin Landa introduced me to Amazon Shorts. No, Amazon is not marketing their own brand of boxer underwear. Amazon Shorts are never-before- seen short works from a wide variety of well-known authors, available only on Amazon.com - for 49 cents each!

Landa, a brand and creative strategist - and Distinguished Professor in the Department of Design at Kean University of New Jersey - was gracious enough to provide some input for my upcoming book, Identity Crisis!. In one of her emails, she suggested I take a look at her just published "short," 10 Truths Behind Successful Brands. It's a great little resource and you can't beat the price.

If Landa's name seems a bit familiar; it should. She is the author of the design volumes Designing Brand Experiences, Graphic Design Solutions, Advertising By Design and Thinking Creatively. Landa is also co-author of 2D: Visual Basics for Designers and Visual Workout: Creativity Workbook.

So, in addition to checking out the writing of Robin Landa, take a look at the other offerings of Amazon Shorts. You will find a great selection of valuable (and inexpensive) writing on an incredibly wide variety of topics.

© 2006 Jeff Fisher LogoMotives

Right Brain Reader features Jeff Fisher LogoMotives

The Right Brain Reader, the online newsletter for the web presence Right Brain Resource, features Jeff Fisher Logomotives in their latest offering Portland - Independently Creative. In the October issue, writer Philip Bailey focuses on identity designer Fisher in the article Away from the sketch pad; away from the struggle, Jeff Pollard Design in the piece Boiling Down the Talent of Logo Design, and custom silk screen and design shop Modified Design

Fisher, the author of the book The Savvy Designer's Guide to Success and the upcoming 2007 release Identity Crisis!, has previously written for The Right Brain Reader. His article How Much Should I Charge? appeared on the site in January 2005.

Based in Portland, Oregon, Right Brain Resource is a creative staffing agency dedicated to supporting the creative community. The firm helps companies find creative individuals with all levels of talent within the six disciplines of graphic design, website development, copywriting, illustration, apparel design and photography.

© 2006 Jeff Fisher LogoMotives

Could you draw major logos from memory?

I came across an interesting web site the other day called Brandmarker. The art group monochrom attempted to evaluate the actual power of commercial brands by making people draw famous logos from memory. Austrian individuals were asked to draw a total of twelve logos (nine international, three typically European) from the memory of past interactions and sightings of the images - 25 people per brand. The identities selected included adidas, BP, Coca-Cola, Lacoste, Apple and others.

Brands, and logos, do seem to stick in people's minds. I thought it was interesting how many people drew the old BP shield rather than the newer flower-like image. Still, the shield is my one of my first memories of a major international logo. It was on a tanker truck in my Matchbox car collection when I was a kid. (In fact, I probably still have that particular toy vehicle as I have most of my collection stored away - many in their original boxes.) In several cases older versions of the featured logos were drawn.

Hmmm...I wonder why about half of the people got the Lacoste "critter" facing the wrong way?

monochrom is an international art-technology-philosophy group founded in 1993. Its offices are located at Museumsquartier/Vienna (at 'QDK'). The group works with different media and art formats and publishes the German book and magazine series monochrom. monochrom is known for its left-wing political work/civil society work. The group's website functions as a collaborative digital art community.

© 2006 Jeff Fisher LogoMotives

Wandering wine wings around the west

I really never thought we'd see our bottles of wine again after being told by Southwest Airline that the bag containing the wine was missing. Sunday afternoon Ed tried calling the airline to get more information and discovered that the central baggage office is only open 8:00 to 5:00, Monday through Friday (I'm sure that's always really convenient for a weekend traveler who has lost luggage issues).

He decided to review the Southwest website and found there is no information, or restrictions, regarding transporting wine in checked baggage. In again calling the airline's reservations number, he had to specifically ask the agent about the (new) policy before she would even research the restriction. The policy even specifies how thick the plastic bag must be in which the Styrofoam clad bottles of wine and box are placed. I doubt if any customers are even aware such "rules" exist until they experience a situation such as ours.

On Monday morning Ed got a call saying the bag had been found - in Ontario, CA. Which means the wine we could not have in our checked luggage had in fact been put on a plane to another city for some reason. No one could tell him why a bag with no destination label, ended up in Ontario. He was told the bag would be put on yet another plane and flown to Portland for an afternoon pick-up at the airport. Hey, weren't we originally trying to accomplish getting the wine to Portland when the bottles started this odd adventure?

Of course, we still didn't know the condition of the wine - or if all/any of the bottles were even in the bag.

Ed drove out to the airport Monday evening and picked up the bag, which contained four well-traveled bottles of wine in excellent condition - and I'm happy to have my etched bottle safe at home...

© 2006 Jeff Fisher LogoMotives

W(h)ining about Southwest Airlines

and the lost bottles of wine

I don't usually use my blog to bitch and moan about things - but sometimes dealing with the airlines can be so incredibly frustrating - especially when they lose something due to complete stupidity. So, I will w(h)ine a bit.

Last weekend we spent a few days visiting my sister (and client) in Benicia, CA. It's usually easier to fly into Sacramento, and drive the hour to Benicia, than it is to deal with San Francisco International and the drive to my sister's town or take the BART trip to a nearby station. When we do so, we usually book our trip on Southwest Airlines - and most of our experiences have been quite pleasant.

Part of the reason we were visting my sister was to finally take possession of four bottles of wine purchased on a trip to Napa when last visiting her in April of 2005. She'd been holding the wine "hostage" until we returned to get it in person. Two of the bottles were incredible whites (for me) from an wonderful private tasting party (arranged by our friend Greg from Atlanta) at the Clos Du Val winery, another was a red from Clos Du Val, and the final bottle was from the small boutique HaGafen Cellars.

Due to the new TSA restrictions on liquids in carry-on luggage, we came prepared to check the bottles of wine in our luggage - which we have done in the past with no issues - for the return trip. We packed an extra piece of luggage within another bag - a sturdy new bag bearing the logo of Holland+Knight law firm where my partner Ed is employed - and also packed to strong corrugated wine shipping containers we had used to bring bottles of wine back from a past trip to Italy.

We had a great visit with my sister and her new fiancé. Actually, last Saturday night the two bottles of red wine were consumed during an amazing dinner prepared by Ed. My sister supplemented our wine shipment with another bottle of red wine for Ed and a special gift for me - a limited edition commemorative bottle of wine with the logo I had designed for the Benicia Historical Museum etched in the glass. The thing was beautiful.

On Sunday afternoon, with all our luggage packed, we drove off to the Sacramento Airport for our flight back to Portland. When reaching the Southwest ticket counter the very nice agent asked if we had any wine in our luggage. We told her that we did and she asked to see how it was packaged. She took one look at the packaging and told us that Southwest did not allow for any wine to be shipped in checked luggage unless it was packaged in Styrofoam shipping containers and we needed to remove the wine from our bags. Of course, there was no facility at the airport (about an hour and a half away from Napa) to purchase such shipping materials or prepare a package for shipping in another manner. The ticket agent suggested that we put all the wine in the Holland+Knight bag, label it appropriately and have it left in the Southwest supervisor's office to be picked up by someone later. We phoned my sister and she agreed to drive the one hour to the airport on the following Saturday, or before, to pick up the wine and again hold it "hostage." Ed put one of his business cards into the piece of luggage and attached a label to the bag with my sister's name, her fiancé's name and my sister's cell phone number. We told the helpful ticket agent what was going on and she wrote on the label "will pickup on 10/07/06 or before." With the travel "speed bump" handled we headed for the security and our evening flight home to Portland.

Yesterday we had an email that my sister was heading to Sacramento to pick up the bag and our wine. Later we got a voice mail message to call her because when she got to the airport no one could find the bag in question at all. Ed called her and was told that the people at the Southwest counter "thought" that, due to the fact the bag had been unclaimed for five days, it had probably been sent to the airline's unclaimed baggage facility in Texas - even though a pickup date of 10/07 was marked on the bag's label. Excuse me, wouldn't that involve putting a bag of items that we were told could not be checked into the luggage hold of a plane? The airline made no attempt to call my sister - whose number was also clearly on the luggage tag. There was certainly no attempt to check inside the bag and find Ed's business card to call him at his office.

Instead, we now have a phone number for a facility in Texas and the search will begin for our bag o' wine. I've got to admit, with the recently released figures on lost luggage, I'm not too hopeful.

I'm probably pissed off about the loss of the bottle with my etched logo design more than anything else. To avoid such situations I have two scenarios of advice for fellow travelers:

1.) Just blatantly lie to the ticket agent if you are asked about wine in your luggage; or

2.) Use your car keys to poke the cork into the bottle (you certainly should not be carrying a corkscrew with you!), sit down on the floor of the airport lobby and drink the wine from the bottle. Perhaps you will be a bit more prepared to deal with the airlines, security, the crowded airports and your upcoming flight.

I'll keep you posted about the saga of the lost wine...

(Note: Here's the update on the wandering wine.)

©2006 Jeff Fisher LogoMotives

An evening at Jimmy Mak's with Jacqui Naylor

It was great to escape from the house last night - after a week of dealing with a flu bug while finalizing the manuscript of my new book - to spend an evening with friends at the "new and improved" Jimmy Mak's club listening to San Francisco based jazz vocalist Jacqui Naylor. My partner, Ed, and I first met Jacqui at the Sayulita, Mexico wedding of our mutual friends Shawn and Greg. When Jacqui was a child, Shawn was one of her babysitters. Jacqui sang at the wedding, with partner-in-crime Art Khu on guitar, and I fell in love with her music. I mentioned to Ed that I had to get a copy of her CD Shelter as soon as we got back to Portland. Later, at the wedding reception, I felt someone trying to put something in my pocket and turned around to find Jacqui attempting to put a copy of the CD in my pants. She smiled and said "A little bird told me you might like this." I was hooked on Jacqui. I often work on design projects with her incredible voice in the background.

When Jacqui comes to Portland, Shawn and Greg always get a group together to attend the show. Last night - the first time in the new "big city" venue - we joined them, along with Greg's mother Marcia, Shawn's sister Karen, and our friends Scott and Erika, for a wonderful evening of friends, food, music and a drink or two. Jacqui performed some old favorites and selections from her new CD, The Color Five. She was better than ever. It was also great to get the chance to visit with her for a bit, and say "hi" to Art. Unfortunately, the night ended way too early for us.

Jacqui has upcoming tour dates at several Blue Note jazz clubs in Japan, and at locations around the U.S. If you can't catch Jacqui in person, get yourself one of her CDs - or touch base with her on MySpace (where she and I bumped into each other a few months ago).

© 2006 Jeff Fisher LogoMotives

Jeffism #6

"I'm constantly amazed by the incredible number of design professionals who are willing to invest so much time, talent and energy in the CHANCE at so little - or nothing - in compensation. It's even more flabbergasting that they continue to accept such crap as an industry norm again and again."

- Jeff Fisher (in regards to speculative design efforts)

Calls for entries:

Upcoming design competition deadlines

All of the following competitions deadlines present great opportunities to showcase your design efforts, market your work on an international scale through the published books, and "toot!" your own horn to clients, peers and the media:

Tokyo TDC Annual Awards 2007
(Tokyo Type Directors Club - Japan)
Deadline: Interactive design category - October 10, 2006
Deadline: All other categories - October 20, 2006

No entry fees charged for international submissions

STEP inside design 100
(STEP inside design - USA)
Extended Deadline: October 16, 2006
Entry fees charged

Graphis Posters 2007
(Graphis, Inc. - USA)
Deadline: October 30, 2006
Entry fees charged

The Instore Graphic Design Awards
(Graphic Design: usa - USA)
Deadline: October 30, 2006
Entry fees charged

LOGO 2007
(David E. Carter - USA)
Deadline: October 31, 2006
Entry fees charged

A+C=D, PRINT’s International Art and Commerce Design Review
(PRINT - USA)
Deadline: November 1, 2006
Entry fees charged

designwire annual '06
(designwire - Australia)
Deadline: Initial submissions - November 3, 2006
No entry fees charged - but designwire forum membership required

D&AD Global Awards 2007
(D&AD - UK)
Earlybird Deadline: November 6, 2006
Entry fees charged

Branded
(Debut Publications - UK)
Extended Deadline: November 30, 2006
No entry fees

(Note: I should mention that while the request for submissions for the book "Branded" is a great opportunity for designers, I disagree with Debut Publications' concurrent "contest" for speculative cover design art. The situation is similar to the recent cover design "contest" which was canceled by the Creativity Awards - although, much to the credit of Debut Publications, the publisher does not seem to be assuming exclusive usage rights to all works submitted. Still, any request for a designer to execute "free" work for a for-profit entity just bugs the hell out of me. Designers should make their feelings about this issue known to the publisher.)

Restaurants Graphic Design
(Index Books - Spain)
Deadline: November 31, 2006
No entry fees

EXHIBITOR Exhibit Design Awards
(Exhibitor Magazine - USA)
Earlybird Deadline: December 1, 2006
Entry fees charged

I.D. Annual Design Review
(I.D. Magazine - USA)
December 1, 2006
Entry fees charged

Image Management and Reproduction
(Rotovision - UK)
Extended Deadline: November 30 2006
No entry fees

Instant Graphics
(Rotovision - UK)
Deadline: December 8, 2006
No entry fees

You may want to read my article about participating in design industry competitions: A Winning Strategy. It has appeared on the Creative Latitude and NO!SPEC web sites.

Good luck!

(Note: Thanks to NO!SPEC for mentioning this bLog-oMotives entry)

© 2006 Jeff Fisher LogoMotives

Best of Letterhead and Logo Design

hits the bookselves in paperback

The other day I was browsing the shelves of the design section at Powell's City of Books and came across the Rockport Publishers offering The Best of Letterhead and Logo Design in its new paperback version. (The Amazon site says the book has not yet been released - but I also saw it at Borders that same day.) The new small-format edition is a collection of many designs previously presented the long-running Letterhead and Logo Design book series from the publisher. It's a great inspiration resource for any designer interested in creating identities for businesses, products, organizations or events.

Jeff Fisher LogoMotives is represented in the book with eight designs. The logos featured include those for Portland firms Carmen Schleiger Architecture, City Laundry Northwest, law firm Samuels Yoelin Kantor Seymour & Spinrad, Denny Shleifer Marketing Communications and hairstylist Jeff Maul. The image for the nonprofit group Love Makes A Family was also selected for the book. The logo for the San Francisco nonprofit Laugh Line Productions is also displayed. In association with his sister’s Bend, Oregon firm TriAd, the designer created the included identity for the company Gina’s Italy. The designs are from volumes in the book series from the 1990's.

With both the original hardback and the new paperback volumes, I've noticed that "No. 1" is incorporated into the book cover design. I hope this is a sign of future volumes to come.

© 2006 Jeff Fisher LogoMotives

The Rise of the Copywriter/Designer

Soon after starting college I found myself in the awkward position of really detesting my chosen path of study within the graphic arts program, which was part of the Fine Arts School. A friend then suggested I look into the Journalism School and its program of publication and advertising design courses. To participate in the design class offerings I also was required to take a selection of typography, advertising, marketing, public relations, journalistic writing and copywriting classes. With the copywriting courses, I became a much more marketable commodity as a designer who could also be called upon to write a clever tagline, concise headline or complete sentence. The journalism portion of my education has served me very well over the past 30 years as a professional designer - and writer.

The valuable input of four talented copywriter/designers (or perhaps "designer/copywriters") is included in the recent Graphics.com article The Rise of the Copywriter/Designer. Written by copywriter, marketing consultant and communications manager Shaun Crowley, the piece features Dean Rieck, Ayd Instone, Mike Matera and (my Creative Latitude and online design forum buddy) Neil Tortorella.

Crowley introduces his article with:

"It's tough being a freelance designer these days. You need to be a shrewd businessperson. You need to spend as much energy on your marketing as you do on your design projects. There are lots of neat ways freelance designers in the marketing communications arena stay ahead of the game. Some offer a unique layer of service such as free proof-reading or liaison with printers. Some market themselves as specialists in a specific area, such as video-based Web sites or 3D design."

"And then there are a few other freelance pioneers who are integrating something entirely new into their creative services—copywriting—and finding a whole host of new clients banging at their door."

Check out the entire article at The Rise of the Copywriter/Designer. Even more advice on the topic is included in Crowley's downloadable book 100 Copywriting Tips for Designers and Other Freelance Artists.

In addition, take the time to stop by the blog Inside the Marketing Mind to see what else Tortorella has to share with his fellow "creative types."

© 2006 Jeff Fisher LogoMotives

Smithsonian sponsors Museum Day -

Saturday, September 30, 2006

This Saturday, September 30, 2006, - for one day only - over 400 museums across the United States will join the Smithsonian Institution and Smithsonian Magazine in their long-standing tradition of offering free admission to visitors. Venues that agree to participate will extend free admission for two people when presented with a downloaded Museum Day Admission Card. The admission cards are good for general admission for two on September 30 only, and are not valid for special exhibits, IMAX screenings or for use with any other offer. Some participating museums may already have a free admission policy year round and are participating in the "spirit" of the day.The nationwide event is presented in association with TIAA-CREF Financial Services

Participating Oregon museums include the Jordan Schnitzer Museum of Art at the University of Oregon (Eugene), the Oregon Historical Society (Portland), the Pittock Mansion (Portland), the Science Factory Children's Museum & Planetarium (Eugene), the ScienceWorks Hands on Museum (Ashland), the University of Oregon Museum of Natural and Cultural History (Eugene), and the World Forestry Center's Discovery Museum (Portland).

For information about participating facilities in other states check out the Museum Day web site.

© 2006 Jeff Fisher LogoMotives

bLog-oMotives "rattles the hell out of the keyboard"

Thanks to fellow Portland designer Samuel John Klein, of The ZehnKatzen Times blog and Designorati, for giving me a "heads up" about the local Daily Journal of Commerce giving bLog-oMotives a mention in the October issue of Commerce Magazine. The cover story for the publication is 26 Reasons why design rules in Portland: An A to Z guide to all things wild, weird and wonderful. In the "B" entry of the special feature, about the blogs of area "creative types," the publication states "Copy creatives in Portland may take home a paycheck for writing, but local designers can rattle the hell out of the keyboard, too, often turning to blogs to strut their verbal stuff."

In regards to my own efforts with bLog-oMotives, the writer continues with "Logo guru Jeff Fisher of Jeff Fisher LogoMotives pounds the keys at blog-omotives.blogspot.com, where he rolls out design news, commentary and resources, plus a tasty-sounding potato salad recipe and an occasional "Jeffism." (No 5: 'To err is human; to make something positive from the situation is design.')"

In addition to the The ZehnKatzen Times, the blogs singled out include Kamp Grizzly, Tim Coulter's Sport Bucket, PORT, and the Portland Institute for Contemporary Arts blog at Urban Honking.

Thank you Daily Journal of Commerce and Commerce Magazine.

© 2006 Jeff Fisher LogoMotives

HOW Magazine launches official blog

Early this morning I got an email from HOW Magazine Senior Editor Megan Patrick telling me that the official HOW Blog had been launched. The editors and staff of HOW are constantly adding new features to the magazine, the publication's website, the HOW online forum and other enterprises associated with HOW. It looks like they are have too much fun with the new blog. I look forward to checking it out on a regular basis.

In the interest of full public disclosure, I should mention that my involvement with HOW goes a bit beyond just reading the magazine. I'm a member of the publication's Editorial Advisory Board, I've written for the magazine, they've written about me, I've spoken at a few HOW Design Conferences, and I'm a member of the HOW Conference Advisory Council. HOW Design Books also published my first book, The Savvy Designer's Guide to Success. They will release my next book, Identity Crisis! in 2007.

It may all sound a bit incestuous - but, as a member of the "family," it doesn't mean I'm going to enjoy the HOW Blog any less. I hope you'll take a look, too.

© 2006 Jeff Fisher LogoMotives.

Design studio housecleaning - excavated artifact #5

Recently, while cleaning out a box of old unfiled business papers, I came across a doodle that was to become one of my most successful logo designs. As it is the identity for a law firm, it is somewhat appropriate that the sketch is on a piece of a yellow legal pad. Creating a logo for a law firm can bring about many challenges. In addition to the partners in the business name, there are usually at least a few other lawyers who desire to claim some ownership in regards to selecting a final design. In such situations a designer needs to tactfully perform the "design by committee" dance. It can also be tough to convince the members of a legal firm to stray from the traditional conservative designs often used to promote such a company. It is necessary to convey that creating an original image positions the firm as unique in the market.

The identity process for the Portland law firm Samuels Yoelin Kantor Seymour & Spinrad went through numerous somewhat complicated iterations before one of the main partners in the firm suggested returning to an early, very simple concept. That design was a graphic interpretation of two thick law books creating the “S” letterform – representing the name Samuels, designated as the one constant in any future name changes. In a moment totally unrelated to meeting with the attorneys, while on the phone with another client, I drew out my initial thoughts with a felt tip pen. In fine-tuning the design I made the "books" come across as much more like the heavy legal volumes I'd seen in the firm's office bookcases. With some prodding by the one partner advocating the image, the icon was adopted by the firm and it has served them well over the past decade.

The design brought a great deal of attention to my identity creation efforts. The logo appeared in a PRINT Regional Design Annual, won a LOGO 2000 award, and received a Bronze in the Summit Creative Awards. The design was also published in the books International Logos & Trademarks 4, Letterhead and Logo Design 5, The Big Book of Logos, Global Corporate Identity, The Best of Letterhead and Logo Design, and the Japanese volume New Logo & Trademark Design (which has been re-released in paperback as Logo and Trademark Collection).

© 2006 Jeff Fisher LogoMotives

Toot! Toot!*: Jeff Fisher named to UCDA

Designer Magazine Advisory Board

Jeff Fisher, the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives, has been named to the University & College Designers Association (UCDA) Designer Magazine Advisory Board.

The UCDA was founded in 1970 as the nation's first and only association for professionals involved in the creation of visual communications for educational institutions. It has grown to an organization comprised of more than 1000 members throughout the United States and Canada. Designer is the official quarterly publication for the members of the organization.

The Designer Magazine Advisory Board was formed to assist UCDA in developing a high quality magazine. Board members also act as contributing editors by writing articles or assisting the editor with collecting articles for publication from other sources as well as suggesting topics for articles.

Fisher has contributed articles to the publication in the past, including an excerpt from his first book, The Savvy Designer's Guide to Success. He was also a speaker at a past UCDA conference.

Over the years, the designer has worked on graphic design projects for Willamette University, University of Oregon, George Fox University, Reed College and other education institutions across the country. Fisher has received over 500 regional, national and international graphic design awards for his logo and corporate identity efforts. His work is featured in more than 80 publications on the design of logos, the business of graphic design, and small business marketing. He shares his observations about the design industry in writing for various magazines and web sites, and on his blog, bLog-oMotives.

Fisher is also a member of the HOW Magazine Editorial Advisory Board, the HOW Design Conference Advisory Council, and the Board of Directors of Proscodi: Professional Society of Communication Design. His latest book, Identity Crisis!, will be released in 2007. More information about Jeff Fisher LogoMotives is available www.jfisherlogomotives.com.

* If I don't "toot!" my own horn, no one else will

© 2006 Jeff Fisher LogoMotives

Designer interaction, professional resources,

time-wasters and imaginary friends

In a current thread on the Graphic Design Forum, member Juggnoxalo asked others to post links to other forums they visit. I shared my forum list and thought it might be a good resource to post as a blog entry as well.

In a past bLog-oMotives entry I mentioned my Creative Latitude article Funny Things Happen on the Way to the Forums, in which I interviewed three moderators of online design forums. The Internet opened up a whole new world of interaction for designers - especially for the somewhat isolated one-person design shop like my own home-based studio in Portland. The forums are often an incredible information resource for designers, a great "time-waster" for the daydreaming design professional, and an excellent way to make what my partner refers to as my "online imaginary friends."

With many recent emails from designers wondering how they can interact with others in the graphic design field, I am posting links to some of the forums I visit as a reference. (Those in bold are the ones I frequent most often):

About.com Graphic DesignAnticubicleCommunication ArtsCore77Designate Onlinedesigners4mDesigners LoungeDesignersTalkDesignwireDexingerGraphics.comGraphic Design ForumHOWLounge72Rookie DesignerModMinds (fairly new) • The Creative ForumThe Designers ForumTypophile

In addition, an excellent business-related forum is Startup Nation.

© 2006 Jeff Fisher LogoMotives

Identita/Identity: International fax/email design

exhibit on display in Czech Republic

The 22nd International Biennale of Graphic Design exhibit is currently on display in the Czech Republic city of Brno. The Brno Biennale Association invited colleagues, designers, illustrators, and graphic design students from around the world to participate by designing and submitting their own vision of Identita/Identity for the special exhibition.

The representations of personal, club, national, global, local, professional, philosophical, religious, sports and cultural identity, created in black and white only, were faxed or e-mailed to the event organizers. The selected designs are currently on exhibit at the Gallery HaDivadlo Brno and Gallery of the Brno Cultural Centre in Brno through October 4, 2006. The event was sponsored by the Czech Fund of Arts Foundation (NCFU), City of Brno and Ministry of Culture of the Czech Republic.

As many around the world will not be able to personally attend the exhibit, the event catalogue is available for download in PDF form from the organization's web site.

Note: Catalogue cover image courtesy of Brno Biennale Association.

© 2006 Jeff Fisher LogoMotives

The Identity Archives Project unveiled

The Identity Archives Project (IdAP) site went live this past week and the effort looks like a logo design inspiration resource to keep an eye on as it develops. The online reference hopes to be the premier online keyword-searchable database of logos and brand identity designs from around the world. It is a free and open resource, built upon the contributions of graphic designers and brand identity specialists. Submission guidelines, technical specifications and suggested keyword information are clearly defined on the site. There is no need to sign-up or register with IdAP in any way, and the database is always available for review.

IdAP was created by Gabe Ruane of Futuristo Design in Boston.

© 2006 Jeff Fisher LogoMotives